1,720,983 research outputs found
Logos e Verbo: immagini del male nella narrativa di Nelida Milani
No full textThe essay aims to highlight the centrality of the themes of guilt and expiation in the writing of Nelida Milani, starting from the recognition of the founding and generating role of writing that is covered by the theme of the word.
Logos, understood as the word of man, is at the same time the beginning and the end, the point of departure and landing, a declaration of belonging and identity, an act of faith and a reaction to the continually risk of aphasia and silence. If the word creates bonds and builds personal and collective identity, in Milani's narrative it is from the betrayal of it, from the breaking of the relationship between signifier and meaning that the Evil is generated and also, at the moment when this break invests the Scriptures, that the meeting point between the word of man and the Word as the word of God is realized.
It is therefore in this point of intersection that the reflection on the theme of Evil is central to the writing of Milani, and consequently on those of guilt and expiation, evident above all (but not only) in its most recent narrative. And it is in it, moreover, that the register spends from the 'comic' to the 'tragic', to identify the role of the writer in the category of 'responsibility', in inseparable unity with that of the 'person'
D’Annunzio, «il ferro di Erme e lo specchio di Atena»
Full text linkA useful track to read "Il fuoco" is the one provided years later and implicitly by d'Annunzio himself in "Il compagno dagli occhi senza cigli". Following that trace and the epiphanic value of an object, the mirror, the essay proposes to outline, at least in one of its aspects, the path from reality to myth
Briciole dalle rime di un (quasi) ignoto quattrocentista: Lorenzo Carbone
Full text linkThis paper offers a critical edition of seven sonnets by Lorenzo Carbone, a
little-known poet who worked at the Estense Court between the end of the 15th and the beginning of the 16th century. All the poems are followed by a rich commentary focusing on exegetical and literary issues (with stress on the considerable intertextuality with Petrarch and other contemporary poets)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
«la più curiosa» regata in onore del duca di York ( Venezia 4 giugno 1764), in La detection della critica Studi in onore di Ilaria Crotti, a cura di Ricciarda Ricorda e Alberto Zava, Venezia, Ed. Ca’ Foscari, 2020, pp. 31-42.
No full textNarrazione e testo praticamente inedito di una canzone scritta in occasione della regata indetta dalla Repubblica Serenissima di Venezia in onore della visita del Duca di York.
Narration and practically unpublished text of a song written on the occasion of the regatta organised by the Serenissima Republic of Venice in honour of the visit of the Duke of York
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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