1,720,962 research outputs found
Il canzoniere di Francesco Galeota tra etica amorosa e precettistica politica
No full textGaleota accoglie nel suo canzoniere, in aggiunta ai numerosi testi amorosi, componimenti di argomento politico encomiastico. La distinzione tra le due sfere tematiche non è sempre così netta in quanto l’autore affronta, nei testi che hanno come dedicatario il re, temi politici utilizzando topoi e lessico della lirica d’amore. Al fine di comprendere meglio queste interferenze e sovrapposizioni si propone un confronto con alcuni passi del De Principe di Pontano, trattato che descrive il rapporto tra il re e sudditi come Galeota descrive quello tra amante e amata.Together with many love songs, Galeota's collection of lyrics includes political and laudatory poems. However, the distinction between the two kinds is not clear-cut. When the author, for example, addresses the king, he applies topoi and words typical of the love poems to political subjects. In order to emphasize these interferences and juxtapositions, Rozzone compares these poems with some passages from Pontano's De Principe, where the relationship between the king and his subjects echoes the way Galeota describes the relationship between the lover and his sweetheart
Satira politica e anticlericale nel Dialogo di Antonio Cammelli detto il Pistoia
No full textThe dialogue in prose with probable theatrical destination, that precedes the collection of poems by Antonio Cammelli said Pistoia describes the poet’s catabasis in the realm of Death. It was written between 1500 and 1502 in imitation of Dialogue of the Dead by Lucian, both in terms of style, serious and humorous, and for the recovery of some narrative episodes, and Charon by Pontano, also inspired to Lucian’s dialogues. An important innovation is the presence of the author’s stunt, which draws the text closer to the Divine Commedy and its subsequent imitations and parodies. The comparison between some scenes of the declared models highlights the stylistic features and the main themes of this dialogue, which despite not having a solid philosophical foundation, as the humanistic treatises, manages to reaffirm the importance of satire, irony and the humorous poem as a form of social protest and politics
LA POESIA POLITICO-ENCOMIASTICA ARAGONESE. MODELLI, GENERI, TEMI
Full text linkThe thesis aims to identify the salient and peculiar features of the Aragonese political poetry. First of all I have defined a corpus of texts that focuses on encomiastic themes and secondly I have provided an overview of the genres used, with particular attention to the most exploited narrative models (especially Petrarch’s Triumphs). Each chapter concetrates on a single author noting the elements of continuity and discontinuity with respect to the group of Aragonese poets.
The Aragonese political poetry shows a strong link with the history: beyond the transfiguration and the hyperbolic exaltation, events and real characters are always easily recognizable and also the insistence on some symbols is always justified by a recall to a real fact.
Aragonese Poetry has also a strong ethic nature, inheritance of political treatises of Maio and Pontanus.
The political theme often assumes such an importance that determines the develop of the entire narrative and ideological work, replacing the erotic and penitential subjects.
In various ways and in different forms Aragonese poets actively contribute to create a propaganda system made of symbols and allegories celebrating the ruling family and show a keen awareness of the political concepts they proposed in their works
Ditopic receptors capable of hydrogen bonding: Synthesis and complexation behaviour of diaza crown-ethers having melamine sidearms
Full text linkThe new ditopic receptors 1-3 (Figure 1) have been synthesized and their binding ability for alkaline and transition metal cations has ben investigated by halide and UV-Vis titrations. The recognition of complementary molecules through hydrogen bonding has been studied by H-1-NMR. The simultaneous recognition of these two guests is an anti-cooperative event
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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