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John A. Moran
No full textJohn A. Moran was born in 1932. Mr Moran graduated from the University of Utah in 1954. Mr Moran served as a director of Bessemer Securities Corporation and California Federal Bank. Mr Moran was a director of the World President Organization, the Chief Executives Organization, Critical Mass Ventures and The Foreign Policy Association. Mr Moran was a member and served as Chairman of the National Advisory Council of the University of Utah. In recognition for his sustained financial support and counsel, the Department of Ophthalmology\u27s John A. Moran Eye Center was named in his honor. Mr Moran died in 2023
John A. Moran Eye Center Opening (1993)
No full textThe John A. Moran Eye Center is home to the Department of Ophthalmology and Visual Sciences at the University of Utah School of Medicine. Opened in 1993, the Moran Eye Center is the largest facility of its kind in the Intermountain West. In 2006, The Moran Eye Center moved to a new 210,000 square-foot facility. Pictured are philanthropist John A, Moran and Dr Randall Olson, Professor and Chair of Ophthalmology & Visual Sciences and CEO of the John A. Moran Eye Center and dignitaries gathered on the steps for the Grand Opening
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
A diagrammatic representation of a Moran process.
No full textA diagrammatic representation of a Moran process.</p
Sanford Bates Correspondence to Frederick A. Moran
No full textA letter addressed to Frederick A. Moran from Sanford Bates concerning the case with Mr. Lanzer
Sanford Bates Correspondence from Frederick A. Moran
No full textA letter addressed to Sanford Bates from Frederick A. Moran concerning recommendations in Saratoga
Sanford Bates Correspondence from Frederick A. Moran
No full textA letter addressed to Sanford Bates from Frederick A. Moran concerning a survey and board meetings
Sanford Bates Correspondence to Frederick A. Moran
No full textA letter addressed to Frederick A. Moran from Sanford Bates concerning a previous letter
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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