213,042 research outputs found
Jacob of Sarug's Homily on Tamar (Gen 38)
No full textThis small volume contains an edition (from Vatican ms. 117) of Jacob of Sarug’s homily on Tamar (420 lines long). The full title is “On Tamar and on the Mystery of the Church.” The biblical narrative on which the poem is based (Gen 38) gives Jacob the opportunity to discuss various women in the early part of biblical history and in Jesus’ lineage, as well as the fact that a woman who is called a prostitute is in that lineage. Jacob explains how Scripture’s language is used in this regard
jacob-ogre.github.io: Initial release
No full text<p>Creating a release so that the GitHub Pages blog is archived at <a href="https://zenodo.org">Zenodo</a>. This will result in a DOI being generated for the site and the posts, e.g. <a href="https://jacob-ogre.github.io/blog/2016/03/20/sound-editing">this one on audio clean-up</a>.</p>
Jacob Wassermann.
No full textOne of several renderings of the German author Jacob Wassermann by the painter and illustrator Suzanne Carvallo-Schülein.Digital ImageArtwork
Jacob of Serugh's Homilies on the Spectacles of the Theatre
No full textThis fascinating volume contains excerpts from four otherwise unedited (and untranslated) homilies from Jacob of Sarug on the theatre. These homilies, extant only in a single manuscript (BM Add. 17158), which is unfortunately poorly preserved, are unique for the light they cast on the Greek theatre in the Byzantine period. In this article, originally published in Le Muséon 48 (1935), Moss gives a substantive introduction to the selections presented from these homilies, and then presents the texts in Syriac and in English translation. Scholars and readers interested in Syriac literature, and in Jacob of Sarug in particular, as well as students of the history of the theatre, will find this work of great interest.Translated into English from the Syriac text
Irène Jacob y Francis Jacob, ensamble vocal e instrumental (Francia)
No full textConcierto interpretado por el dúo de Iréne Jacob y Francis Jacob. El dúo y su banda, con integrantes de diversas naciones, incluyendo al bajista senegalés Mamadou Ba y al legendario músico afroperuano José Antonio 'Pichio' Balumboso, se han presentado en diferentes escenarios, incluyendo, el Joe's Pub de Nueva York en 2012. Con la integración del beat brasilero y senegalés, tambores de agua y de acero, así como un cierto aire de distinción francesa y de pop, entre pensativo y juguetón, los hermanos Jacob cuentan su propia historia de interconexión pese a las distancias
Luis Jacob : Monochromes and Abstract Works
No full textJacob situates his monochrome and abstract works within the context of Minimalism, and suggests painting is a way of resisting alienation. Includes list of works
Jacob Viner’s Reminiscences from the New Deal (February 11, 1953)
No full textThis paper presents and reproduces an unpublished oral history interview given by Jacob Viner in 1953. The interview released by Viner for the Columbia Oral History Project gives us a valuable opportunity to throw light on his advisory activity during the New Deal Era. In our introduction we attempt to make a critical appraisal of Viner's reminiscences and to state the contribution they can provide to our general knowledge of the period. In addition, we also attempt to find out some biographical and interpretative elements useful to understand Viner’s own vision and his contribution to important economic policy processes during the New Deal.
Von dem alten wahrhafft catholischen Glauben S. Felix unnd S. Regulae ...
No full textdurch Johann Jacob Ulrich, Professoren der H. SchrifftBogensignaturen: ):(, A-L
Brody, Jacob -- 1962-66 -- Correspondence, Individual -- letter, 1962-11-23
No full textLetter from Brody, Jacob A. to Sabin, Albert B. dated 1962-11-23.Sabin Collection Fair Use Policy</a
The presence and absence of god in the Jacob narrative
No full textThis thesis explores the theological complexity of the Jacob narrative. In particular this is centred upon the paradox of divine presence and absence, and the contrast of the human and the divine. In the first part, an investigation is made of three key episodes which contain an encounter with the divine: the opening oracle (25:19ff), Bethel (28:10-22) and Peniel (32:23-33). It is concluded that the first passage is constructed as an introduction, making explicit the theme of the presence of God in the Jacob story, but also introducing the human side of the paradox. Bethel and Peniel are based on older pre-Yahwistic traditions, now shaped and incorporated into the story of Jacob to throw a theological perspective over the wider plot. The second part consists of a reading of the wider Jacob story, with particular attention to the theme of divine presence and absence and the interaction of the human and the divine. It is argued that even the most human of stories betray a theological interest and contribute to the overall paradox, but also that there are several indications of the presence of God. In the conclusion, it is noted that behind the present unity of the Jacob story there is evidence of earlier traditions, a growing together of material, and supplements offering new perspectives. It is also concluded that a close reading of the final text and a historical-critical appreciation need not be mutually exclusive, and that a cautious use of critical insights has thrown light upon the final form. Finally, it is argued that the theme of the presence and absence of God offers a way of reading the Jacob story in a theological way, that does most justice to its historical depth, final form, and canonical status
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