1,721,963 research outputs found
Labor repertoires, neoliberal regimes and US hegemony : what 'deviant' Italy tells us of OECD unions' paths to power
This paper notes the tendency of 'social movement unionism' scholarship on both sides of the Atlantic to focus on and prescribe the citizen repertoire as the single most important repertoire of labor for challenging neoliberal globalization. Consistent with liberal conceptions of civil society and theories of participatory democracy, it implicitly dismisses political unionism as a path to labor's revitalization. It also assumes epochal change and confines neoliberalism to the post-Washington Consensus era. Deviant case analysis of Italian labor's use of two repertoires (the citizen and the labor repertoire) and of its two regimes of capitalism (in succession, a post-WWII neoliberal regime and a post-1970 corporatist regime) over the course of the 'American Century' gives pause to both these contentions. This study relates labor's citizen repertoire to the era of US hegemony that promotes changes in party-government that tend to reproduce the image of the archetypically neoliberal American polity: a polity that is devoid of 'labor' as a recognized category of the political community, is low in social rights, and, relatedly, is devoid of a party of labor. In this neoliberal political order, labor is perennially locked into the category of 'citizen' and reliant on the citizen repertoire. By contrast, the survival of parties of labor in non-US polities during the post-war wave of neoliberalism permitted union movements a route away from labor-decategorizing orders - political unionism. Now, in the post-Washington Consensus wave of neoliberal regime change, that route is more onerous owing to Third Way changes in parties of labor. The major challenge for labor movements that have experienced regime change to a neoliberal polity is in directing their efforts and even their new citizen repertoire to the task of recapturing parties of labor or to creating new ones - or risk long-term US-style labor decategorization
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Analysis on the use of non-linear optimisation methods for unknown parameters of a 2 dof model
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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