1,721,069 research outputs found
Materials for the Sylloge Nummorum Sasanidarum Tajikistan
No full textThe article presents the main scientific results of the numismatic survey carried out by the author, during several archaeological missions in the Yaghnob Valley in Tajikistan
L'Iran nella Seconda Guerra Mondiale
No full textL'autore traccia la storia delle vicende belliche che coinvolsero l'Iran nel corso della Seconda Guerra Mondiale, con particolare riferimento alla pubblicistica italiana dell'epoca
Aspetti economico-sociali del Mazdakismo nella storiografia sovietica
No full textL'autore illustra l'importanza dei contributi scientifici della storiografia sovietica sul tema del Mazdakismo (noto come "comunismo mazdakita"), un movimento socio-religioso che sconvolse l'Iran del VI secolo d.C
The position of the Yaghnobi language according to the new legislation of the Republic of Tagikistan
No full textThe author attracts scholarly attention on the remarkable
changes recently introduced in the Tajik legislation not only about the special position
definitively attributed to Tajik with respect to Russian, but mostly about the recognition
of the languages of the Pamir peoples and mainly of the Yaghnobis. According to the Constitution
of the Republic of Tajikistan (Dushanbe 1994), the Article 2 establishes:
“The State Language of Tajikistan is Tajik. Russian is a language of inter-ethnic communication.
All nations and peoples residing on the territory of the Republic have the right to use freely
their native languages”.
The role and importance of Russian has been
recently reduced after the ratification of the Law of the Republic of Tajikistan “About the State
Language of the Republic of Tajikistan”
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Preface
No full textGli autori presentano i risultati scientifici delle Missioni italiane nella Valle dello Yaghnob (Tagikistan), condotte dall'Università di Bologna
Iran: rivoluzione e social networks. Come le nuove tecnologie mediatiche accompagnano le richieste di cambiamento.
No full textIl 70% della popolazione iraniana ha meno di trent'anni e la rivoluzione del 1979 per loro rappresenta qualcosa di lontano nel tempo e non perfettamente comprensibile. Le università sono popolate da studenti donna per più della metà della popolazione studentesca e il web rappresenta per una donna la più semplice possibilità di emanciparsi dalla censura, dalla severità dei costumi, dalla rigida separazione dei contatti tra i sessi che vige ancora negli atenei. L'articolo ripercorre le ragioni del grande successo del canale mediatico in Iran, quale flusso continuo di pensieri, diari-web, chat e sogni, anche dal punto di vista della storia cinematografica e televisiva del Paese
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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