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    A EPIFANIA NOS TANKAS DE WILSON BUENO

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    The objective of this work is to study the epiphany in Wilson Bueno’s tankas. The poetic composition of tanka appeared in Japan, around the year 710, and it is constituted by 31 syllables distributed into five verses with 5-7-5-7-7. Its origin is in the waka, poetic form that sang historical and legendary excerpts of the Japanese people’s lives. Wilson Bueno searched in the tankas the inspiration to compose the poems of two of his books: Pequeno tratado de brinquedos (1996) and Pincel de Kyoto (2008). The present article has the objective of showing the configuration of the tanka’s millennial tradition and the rescue of this traditional poetry, transfigured and personalized in a modern way in Wilson Bueno’s literary production, because the writer incorporates in his tankas literary strategies of the twentieth century western authors, especially the epiphany, concept proposed by James Joyce in Stephen Hero, romance written in the first years of the twentieth centuryO objetivo deste trabalho é estudar a epifania nos tankas de Wilson Bueno. A composição poética tanka surgiu no Japão, por volta do ano 710 e é constituída por 31 sílabas distribuídas em cinco versos com 5-7-5-7-7 sílabas. Sua origem está no waka, forma poética que “cantava” trechos históricos e legendários da vida do povo nipônico. Wilson Bueno buscou, nos tankas, a inspiração para compor os poemas de dois de seus livros: Pequeno tratado de brinquedos (1996) e Pincel de Kyoto (2008). O presente artigo tem como objetivo mostrar a configuração da tradição milenar do tanka e o resgate dessa poesia tradicional, transfigurada e personalizada de forma moderna, na produção literária de Wilson Bueno, pois o escritor incorpora, em seus tankas, estratégias literárias de autores ocidentais do século XX, em especial a epifania, conceito proposto por James Joyce em Stephen Hero, romance escrito nos primeiros anos do século XX

    A EPIFANIA NOS TANKAS DE WILSON BUENO

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    The objective of this work is to study the epiphany in Wilson Bueno’s tankas. The poetic composition of tanka appeared in Japan, around the year 710, and it is constituted by 31 syllables distributed into five verses with 5-7-5-7-7. Its origin is in the waka, poetic form that sang historical and legendary excerpts of the Japanese people’s lives. Wilson Bueno searched in the tankas the inspiration to compose the poems of two of his books: Pequeno tratado de brinquedos (1996) and Pincel de Kyoto (2008). The present article has the objective of showing the configuration of the tanka’s millennial tradition and the rescue of this traditional poetry, transfigured and personalized in a modern way in Wilson Bueno’s literary production, because the writer incorporates in his tankas literary strategies of the twentieth century western authors, especially the epiphany, concept proposed by James Joyce in Stephen Hero, romance written in the first years of the twentieth centuryO objetivo deste trabalho é estudar a epifania nos tankas de Wilson Bueno. A composição poética tanka surgiu no Japão, por volta do ano 710 e é constituída por 31 sílabas distribuídas em cinco versos com 5-7-5-7-7 sílabas. Sua origem está no waka, forma poética que “cantava” trechos históricos e legendários da vida do povo nipônico. Wilson Bueno buscou, nos tankas, a inspiração para compor os poemas de dois de seus livros: Pequeno tratado de brinquedos (1996) e Pincel de Kyoto (2008). O presente artigo tem como objetivo mostrar a configuração da tradição milenar do tanka e o resgate dessa poesia tradicional, transfigurada e personalizada de forma moderna, na produção literária de Wilson Bueno, pois o escritor incorpora, em seus tankas, estratégias literárias de autores ocidentais do século XX, em especial a epifania, conceito proposto por James Joyce em Stephen Hero, romance escrito nos primeiros anos do século XX

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Através da janela: a epifania na poesia de Walmir Ayala

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    Trabalho de Conclusão de Curso (Graduação)Este artigo analisa a poesia, pouco explorada, de Walmir Ayala contribuindo para a valorização de sua obra literária; dentre os aspectos de sua poesia foi escolhido para estudo o conceito de epifania em sua obra Este sorrir, a morte, cabe destacar que tal análise nunca foi realizada anteriormente. Desse modo, objetivou-se estudar o conceito de epifania nos poemas do livro Este sorrir, a morte, de Walmir Ayala. O trabalho foi realizado tendo como base a teoria Estilística, através da pesquisa e análise bibliográfica, delineou-se um campo semântico para o conceito escolhido, de forma a alcançar uma melhor compreensão da forma como a epifania ocorre na poesia de Ayala. Realizou-se uma análise material teórico sobre a epifania e a análise estilística para que fosse possível uma melhor análise dos poemas selecionados. Nos poemas em que há a presença da epifania ocorre uma certa repetição de imagens poéticas que são ligadas ao conceito de epifania pelo caráter de causar a elevação diante de algo, este aspecto genérico levou à realização da ordenação de imagens por meio de um processo de correlação. A análise dos poemas levou a conclusão que Ayala constrói sua epifania através de um jogo de oposições entre claridade e escuridão; por meio de uma sequência de etapas semelhantes ao descrito por James Joyce nos fragmentos de Stephen Hero: a integridade, harmonia e radiância; e que sua epifania funciona como um mecanismo que ajuda na liberação do automatismo dos objetos a partir de um processo de singularização contemplativa

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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