1,721,044 research outputs found
Progetto contemporaneo e riuso a Roma
No full textIl progetto contemporaneo di riuso a Roma ha radici antiche. Il tempo e la storia sono in successione continua e ogni progetto è contemporaneo nel momento in cui viene messo in atto. Allo stesso tempo interviene sul costruito, completa un contesto in parte già esistente e diviene contesto di ciò che verrà successivamente. In questo studio sono presentati alcuni casi di edifici che sono stati oggetto di usi diversi nel corso del tempo e che per questo hanno subito di importanti trasformazioni. Il primo esempio presentato è quello del teatro Marcello, uno dei monumenti dell’antica Roma che è stato costantemente e fino ai giorni nostri abitato e usato e che per questo è sfuggito alla sorte dei reperti storici il cui unico fine è quello di essere visitato come un quadro in un museo. A partire da questo caso di studio sono presentati i progetti di Mario Ridolfi per le sopraelevazioni di due villini dei primi del Novecento; la ristrutturazione dell’edificio dell’Unione Militare di Massimiliano Fuksas; il complesso delle opere di riqualificazione della zona Ostiense Marconi; il Macro di Odile Decq alla fabbrica della Birra Peroni; e la ristrutturazione della Biblioteca Hertziana di Juan Navarro Baldeweg. Architetture recenti che intervengono affermando un linguaggio della contemporaneità in risposta a nuovi cicli di vita di edifici.The contemporary project of reuse in Rome has ancient roots. Time and history are in continuous succession and each project is contemporary when it is put into practice. At the same time, it intervenes on the built environment, it completes an already existing context and becomes context itself of what will come later. In this study, some examples of buildings changing into different uses over time, and undergone important transformations for this purpose, are presented. The first example here presented is that of the Teatro Marcello, one of the monuments of ancient Rome that has been constantly and up to the present days inhabited and used and which, for this reason, escaped the fate of mere historical object whose singular purpose is to be visited as a painting in a museum. Starting from this case study, Mario Ridolfi’s projects for the raising of two early 20th-century residential buildings are presented; the renovation of the Unione Militare building by Massimiliano Fuksas; the complex of redevelopment works for the Ostiense Marconi area; the Odile Decq’s Macro at the Peroni Beer Factory; and the renovation of the Hertzian Library by Juan Navarro Baldeweg. These are recent architectures that intervene by affirming a contemporary language in response to new life cycles of historic buildings
Gilda Bartoloni, Francesco Buranelli, Valeria D'Atri, Anna De Santis, Le urne a capanna rinvenute in Italia
No full textPoucet Jacques. Gilda Bartoloni, Francesco Buranelli, Valeria D'Atri, Anna De Santis, Le urne a capanna rinvenute in Italia. In: L'antiquité classique, Tome 59, 1990. pp. 604-605
Gilda Bartoloni, Francesco Buranelli, Valeria D'Atri, Anna De Santis, Le urne a capanna rinvenute in Italia
No full textPoucet Jacques. Gilda Bartoloni, Francesco Buranelli, Valeria D'Atri, Anna De Santis, Le urne a capanna rinvenute in Italia. In: L'antiquité classique, Tome 59, 1990. pp. 604-605
Bartoloni (Gilda) - Buranelli (Francesco) - D'Atri (Valeria) - De Santis (Anna). Le urne a capanna rinvenute in Italia.
No full textFontaine Paul. Bartoloni (Gilda) - Buranelli (Francesco) - D'Atri (Valeria) - De Santis (Anna). Le urne a capanna rinvenute in Italia.. In: Revue belge de philologie et d'histoire, tome 68, fasc. 1, 1990. Antiquité - Oudheid. pp. 234-236
Bartoloni (Gilda) - Buranelli (Francesco) - D'Atri (Valeria) - De Santis (Anna). Le urne a capanna rinvenute in Italia.
No full textFontaine Paul. Bartoloni (Gilda) - Buranelli (Francesco) - D'Atri (Valeria) - De Santis (Anna). Le urne a capanna rinvenute in Italia.. In: Revue belge de philologie et d'histoire, tome 68, fasc. 1, 1990. Antiquité - Oudheid. pp. 234-236
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Gilda Bartoloni, Francesco Buranelli, Valeria D'atri, Anna De Santis. — Le Urne a capanna rinvenute in Italia, 1987
No full textBriguet Marie-Françoise. Gilda Bartoloni, Francesco Buranelli, Valeria D'atri, Anna De Santis. — Le Urne a capanna rinvenute in Italia, 1987. In: Revue des Études Anciennes. Tome 92, 1990, n°3-4. pp. 459-460
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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