7,394 research outputs found
Capitoli del Collegio delli speziali medicinali di Crema ...
No full textIn Crema : presso Antonio Carcani, 1740
Segn. : A8 E6
Leg. in cartone grigio. Disegni ed operazioni matematiche in inchiostro sui piatti esterni ed interni e sul front. Macchie d\u27inchiostro.
https://galileodiscovery.unipd.it/discovery/fulldisplay?context=L&vid=39UPD_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma99000402896020604
L’arte effimera : processioni e apparati scenici a Crema alla fine del Quattrocento
No full textCrema, inserita dalla metà del Quattrocento nel dominio veneziano, dimostra, sul finire del secolo, una notevole vitalità economica, politica e militare, e, insieme, culturale e artistica, tanto che si può parlare di “Rinascimento cremasco”. Il saggio intende porre l’accento su un aspetto della vita sociale cremasca, già oggetto di attenzione per le maggiori città italiane, in particolare per le sedi di corti regie e principesche: l’organizzazione di manifestazioni (cortei, processioni, tornei, trionfi) che accompagnavano e celebravano momenti particolari, quali fondazioni, ricorrenze, feste. In tali occasioni venivano esibiti stendardi, baldacchini, abiti, ornamenti, ma non solo. Spesso si dava vita a veri e propri “spettacoli” e sfilate, con l’esibizione di carri, animali finti, attrezzature sceniche e machine. Sebbene effimeri, tali manufatti richiedevano una progettazione complessa (tanto che si ha la testimonianza, per altre città, di interventi di grandi artisti, quali Leonardo e Bramante), investimenti economici e, insieme, il lavoro di maestranze in grado di realizzarli. Così accade a Crema per le fondazioni della chiesa/santuario di Santa Maria della Croce e del Monte di Pietà, eventi che coinvolgono l’intera cittadinanza, mettendo anche in mostra la volontà di alcune famiglie eminenti di utilizzare tali occasioni come strumento di esibizione di ricchezza e di potere. Processioni e cortei (così come descritti in modo assai attento e puntuale da cronisti coevi) attestano come Crema fosse partecipe, anche in questo contesto, di un clima culturale e di stili di vita diffusi nei maggiori centri rinascimentali.After the inclusion in the Venetian dominions, Crema experienced a remarkable dynamism, not only on an economic and political level but also on a cultural one, so that scholars refer to the second half of the 15th century as an age of Renaissance for this city.
This paper aims to investigate the organization of public and ritual ceremonies (i.e. civic processions, tournaments) that took place in specific circumstances, such as anniversaries, new foundations, etc. During these ceremonies, standards, canopies and decorations were flaunted; often, these events became proper performances or parades, that involved float, stage equipment and machine.
Although ephemeral, this rich apparatus required complex planning (sometimes great artists, such as Leonardo or Bramante, got involved in these operations), investments and the cooperation of a number of workers.
In Crema, the foundations of Santa Maria della Croce and of the Monte di Pietà involved the entire community and represented an opportunity for the ruling class to show its richness and power.
Processions and parades (as it is well-explained by the chroniclers of that time) demonstrate that Crema was entirely involved in the cultural and social atmosphere of the most important town of the Renaissance
La secessione nel Diritto Internazionale: l’opzione filo-statale del Diritto Internazionale
No full textThe essay presents the rule and the importance of the principle of “auto-determination” in the contemporary juridical world and explains the problem of influence of different juridical cultures in some specific areas of international law; in this analysis the Author put a particular attention about the sense and the limits of “auto-determination” and “people”, especially in order a specific situation as Kosovo, Kurdistan and Catalonia
La historia di Crema /
No full textErrata, leaf [84]r.First word of title placed in decorative frame. Armorial t.p. vignette. Headpieces. Historiated initials.Printer and date from colophon.Mode of access: Internet.Binding: 19th-century marbled paper, quarter blue calfskin. Author, title, place and date in gilt on spine. Page edges sprinkled red and blue
Ripensando i diritti dell’uomo come diritti umani : The Last Utopia, di Samuel Moyn
No full textThe essay explains the content of the recent work “The Last Utopia” by Samuel Moyn and the author analizes the paradigm of “human rights” and his history in the united stations; in the second part, the Essay highlights some critical element in this thesis and proposes the hypothesis of adaptation of this paradigm
La collezione Burri di antichità egiziane del Museo Civico di Crema e del Cremasco : a work in progress
No full textL'illustre cremasca Carla Maria Burri (1935-2009), che operò in Egitto tra la fine degli anni '60 e il 2000, prima come Addetto Culturale poi come Direttore dell'Istituto Italiano di Cultura del Cairo, ha lasciato per volontà testamentaria al Museo civico di Crema e del Cremasco la sua collezione di antichità. Il presente contributo ripercorre le fasi salienti dello studio e delle analisi scientifiche alle quali sono state sottoposti la circa ottantina di reperti egizi. Questi, per la maggior parte ascrivibili al periodo tardo-faraonico ed ellenistico-romano, costituiscono un importante arricchimento delle collezioni archeologiche del Museo cittadino.The distinguished citizen of Crema, Carla Maria Burri (1935-2009), who worked in Egypt from the late 1960s to 2000, at first as Cultural Attachée and then as Director of the Italian Cultural Institute in Cairo, left her collection of antiquities in her will to the Museo civico di Crema e del Cremasco. This article summarizes the principal phases of study and scientific analysis that have been dedicated to the roughly eighty Egyptian objects. These, of which the majority date to the Late and Graeco-Roman periods, enrich significantly the archaeological collections of the museum
Disappearance and New Sightings of Restrictive Interpretation(s)
No full textThis article looks to the first formulations of �restrictive interpretation� to identify with precision the content and meaning of this rule. First Vattel affirmed that odious clauses should be interpreted restrictively. Then, under the Permanent Court and the first decades of the ICJ, a restrictive interpretation emerged in favour of state sovereignty. Later, with the approval of the Vienna Convention on the Law of Treaties in 1969, the interpretation favourable to state sovereignty was abandoned in favour of an alleged neutral way of interpreting treaties. However, a new restrictive interpretation (of sovereignty) was established, as an expression of the new values emerging in international law. This interpretation was obtained by means of the application of the Vienna Convention on the Law of Treaties, an explicit argument, and Latin maxims. Through a parallel analysis of jurisdictions which hear claims between private parties and states, such as the Strasbourg and the San José Courts, and the ICSID arbitrations, the article reaches the conclusion that this mode of interpretation reveals some inconsistencies. It concludes, however, that international law already has the means to address these issues
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