26,460 research outputs found

    Envision Caldwell: Public and Stakeholder Engagement Summary

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    The Caldwell engagement process, a collaborative, semester-long project between the PLAN 661 course, Texas Target Communities, and several dedicated residents, delineates the purpose, process, and findings of the public engagement process within the community of Caldwell. Stakeholder groups were formed, and various meetings were held to determine community issues, assets, challenges, and opportunities through the scope of each stakeholder group. Additionally, several different engagement activities were taken to gather ideas, thoughts, and opinions from the general community. All of these efforts culminated in the collection of valuable data that will be used to influence policies and recommendations within the final Comprehensive Plan

    Caldwell Family

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    Standing in the driveway of the Lamond and Viola Caldwell home in Maeser are Viola Caldwell, Arlo Caldwell and a friend of Arlo\u27s is unidentified

    Branding Caldwell in early days

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    Recto: [handwritten] Branding Caldwell in early days J. A. Caldwell

    Sarah Caldwell

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    Sarah Caldwell (1), Director, American National Opera, receives honorary LL.D. Dr. David W. Mullins on right. On verso: [engr. Instr] Activities. Commencement. 1968. / Sarah Caldwell (on left) / David Mullins, Pres. U of A.Sarah Caldwell (1924-2006) was internationally recognized as an American opera conductor and producer. She grew up in Fayetteville, Arkansas, attended the University of Arkansas, Fayetteville, and later Hendrix College. In 1957, she originated the Opera Company of Boston. In 1975, she was featured on the cover of Time magazine, and in 1976, she became the first female conductor of the Metropolitan Opera. She appeared with the New York Philharmonic Orchestra, the Pittsburgh Symphony Orchestra, and the Boston Symphony Orchestra and received several honors and awards, including an honorary LL.D from the University of Arkansas in 1968. Beginning 1999, she was a distinguished professor of music at UA for a short time, and she joined the Arkansas Entertainers Hall of Fame. (Included in this image is David W. Mullins, who was President of the University of Arkansas, Fayetteville from 1960 through 1974.

    A hip-hop battle: describing sound in the contested academy

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    This chapter recounts my PhD research (c 2006–10) which drew on Systemic Functional Linguistics (SFL) and social semiotics to examine Kanye West’s rap music[1] (Caldwell 2011; see also Caldwell 2009, 2010, 2014a, 2014b; Caldwell and Zappavigna 2011). A particular aim of that work, and the focus of this chapter, was the development of system networks which described the distinctive semiotic affordances of the vocal sounds of the rap voice in comparison with the sung voice

    Dorothy Caldwell

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    A brief statement by fibre artist Caldwell reveals her process and influences. 6 bibl. ref

    Correspondence | Letter from Ed Caldwell to John Henry Caldwell, December 1883

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    Letter [unfinished] from [Ed G. Caldwell] at Ocala, Florida to his father, John Henry Caldwell, describing a great fire, December 3, 1883.https://digitalcommons.jsu.edu/lib_ac_caldwell/1121/thumbnail.jp

    Kelli Caldwell in a Senior Soprano Recital

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    This is the program for the senior soprano recital of Kelli Caldwell. Ms. Caldwell was accompanied on the piano by John Briggs. This recital took place on April 27, 2012, in the McBeth Recital Hall in the Mabee Fine Arts Center
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