6,435 research outputs found
Bye bye
No full text5 mins 30 sec animated film, produced by Bringas in collaboration with Liana Dognini as director. The film sought to create an aesthetic which avoided the spectacular, producing instead a form of realist drama which explored in quiet detail a significant moment of country life, telling the story of a girl who is taught to drown unwanted kittens. Bye Bye was commissioned by Channel Four (£55K) as part of Museum of the Moving Image Animator in Residence scheme.
Following its broadcast on C4 (2002), and on CBC (2003), Bye Bye released in independent cinemas (Phoenix and Ritzy,
London), and toured international festivals, including Amsterdam, Annecy, Clermont-Ferrand, Rotterdam, Tokyo. It won Grand
Jury Prize: Castelli Animati Film Festival, Rome, (2002), and was nominated for Cartoon D’Or (2003).
The style is hybrid: both photographic and drawn, the film asks audiences to sway between the ‘truthful quality’ of drawn
animation and the stillness and artifice of photographic material, to read the film with both the distance that animation inherently
provides and the immediacy of the photographic image.
Production processes were kept flexible, as substantial experimentation was required to develop the film’s visual style.
Considerable visual and technical research went into testing different styles (of drawing, and of compositing) that could both
include and challenge the hyper-realisms associated with classical cartoon expression. Bringas conceived the workflow for
seamlessly combining digitally photographic and drawn elements.
As the storyline itself avoided a classical arc, each stage of production and post-production was also kept open to change, to
achieve the subtle balance between narrative and visual atmosphere. The small production team allowed flexibility and fluidity of
creative processes. Dognini and Bringas gathered photographic materials - landscapes of the Po Valley, textures, etc - and
shared management of digital processes. Over a ten month production period, each frame was produced at high resolution in
order to be transferred directly from digital files onto 35 mm film, using the relatively new Cineon technology.
Bringas works collaboratively with her directors, with ongoing dialogue about all creative decisions, and has established herself
internationally as a leading producer of innovative animation
Circulating MicroRNAs and Aerobic Fitness - The HUNT-Study
No full text© 2013 Bye et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited
Bye bye baby.
No full textGift of Dr. Mary Jane Esplen.Featured by Vera Burt - Saxi Holtsworth and Orchestra [note]Piano vocal [instrumentation]Oh! dear oh! dear you're gonna be late [first line]Bye bye baby we'll meet bye and bye [first line of chorus]E flat major [key]Allegro moderato [tempo]Popular song [form/genre]Man, woman, bags, train ; Vera Burt - Saxi Holtsworth (photograph) [illustration]P & L Studios [engraver]Publisher's advertisement on front inside cover & back cover [note
Good bye, Sweetheart, Good bye
No full text80.7568.442 – “Good bye, Sweetheart, Good bye”: John L. Hatton: Wm. Pond & Co.: n.d.: Voice Solo
Bye-bye (Recording)
No full text“Bye-bye” for mixed sextet of instruments was written specifically for the 2010 Finale Composers’ Competition. It was finished in August 2010. It is a kind of abstract toccata which relies on rhythmic gestures as a primary unifying device. “Bye-bye” is Ivesian in it’s overall American character and in it’s use of materials from diverse musical genres (vaudeville, ragtime, waltz, early jazz, swing, etc.).Only five minutes in length, this piece is written to serve as a brilliant, eccentric showpiece encore. Fans of the “Great American songbook” will recognize this music to be a free fantasy on the old sing-a-long favorite – “Bye Bye Blackbird” (1926)
Europe / drawn and engraved for Dr. Playfair’s Geography ; engraved by J. Bye
No full text1 Mapa, b/n. J. Bye treballa per a Playfair el 1814 Datació aproximada.47 x 57 c
Bye-bye (Score)
No full text“Bye-bye” for mixed sextet of instruments was written specifically for the 2010 Finale Composers’ Competition. It was finished in August 2010. It is a kind of abstract toccata which relies on rhythmic gestures as a primary unifying device. “Bye-bye” is Ivesian in it’s overall American character and in it’s use of materials from diverse musical genres (vaudeville, ragtime, waltz, early jazz, swing, etc.).Only five minutes in length, this piece is written to serve as a brilliant, eccentric showpiece encore. Fans of the “Great American songbook” will recognize this music to be a free fantasy on the old sing-a-long favorite – “Bye Bye Blackbird” (1926)
Europe / drawn and engraved for Dr. Playfair’s Geography ; engraved by J. Bye
No full text1 Mapa, b/n. J. Bye treballa per a Playfair el 1814 Datació aproximada.47 x 57 c
From local to global: Development and transformation of bye-bye plastic bags movement
No full textThis research examines the development and transformation of a local movement into a global movement, with a case study of the Bye Bye Plastic Bags (BBPB) movement. BBPB is a movement initiated at the local level, namely Bali, as a response to the problem of plastic bag waste. During its development, this idea was adopted in various countries which has made BBPBnolonger just a local scale movement. It has developed into a global movement in the form of a global civil society. For this reason, the purpose of this study is to understand and analyze the development of BBPB from a local movement to a global movement. The concepts used are global civil society and cosmopolitanism. From a methodological perspective, this study uses a descriptive-qualitative approach. Primary data were collected through interviews and documentary studies which were processed from publications on BBPB social media using NVivo 12 Plus
features NCapture. The secondary data were obtained from various relevant literature. The results showed that the development of BBPB from being a local movement to a global movement cannot be separated from two keywords, namely growing consciousness and growing interconnectedness. The existence of BBPB indirectly represents the effort to realize the SDGs agenda, especially the
13th goal of the need for mutual action to combat climate change
In The Sweet Bye and Bye
No full text[Verse 1]
Brightly the moonlight is shining, Down thro’ the trees from above, Two lovers wait, by the old garden gate, Telling tales of love; He bids the maid cease repining; Whispering: Sweetheart, don’t sigh! Soon you and I will be happy In the sweet bye and bye.
[Chorus]
In the sweet bye and bye; In the sweet bye and bye; We’ll have a cottage That’s built for two,Then lovey’ll love dovey And dovey’ll love oo; In the sweet bye and bye, In the sweet bye and bye, Love’s dream will seem sweet as peaches and cream In the sweet bye and bye.
[Verse 2]
“After winter is over, After the summer is done, I’ll have a cot in a shady green spot With my only one; Hand in hand, down thro’ the clover, When work is over we’ll stray; Then we’ll forget all our sorrows Watching baby play.
[Chorus
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