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    Photograph of Dhofar 979

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    Photograph of meteorite Dhofar 979 in color.DHOFAR 979 Vreilite Omo

    UMNH:Mamm:979

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    UMNH:Mamm:979 Voucher Specimen Study Ski

    Resolución Rectoral Nº 979/2013. Designar docente regular como Profesor Titular, con dedicación parcial

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    Fil: Rector (R). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución Rectoral Nº 979/2013. Designar docente regular como Profesor Titular, con dedicación parcial en un todo de acuerdo con el dictamen producido por el Jurado que entendió en el concurso de referencia ALV37 de la Sede Alto Valle y Valle Medio, para el área Ciencias Veterinarias, orientación Epidemiología y Bioestadística a partir del 1 de marzo de 2014 y hasta el 28 de febrero de 201

    Santa Fe (ATSF) 979

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    A photograph print showing Santa Fe (ATSF) 979, 2-10-2, Mojave, CA

    Efendi, Nur and Setiyawati, Enik (2018) Peer Review Judul Buku : Pembelajaran Terpadu di SD Sidoarjo : Umsida Press. ISBN 978-979-3401-61-4

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    Efendi, Nur and Setiyawati, Enik (2018) Peer Review Judul Buku : Pembelajaran Terpadu di SD Sidoarjo : Umsida Press. ISBN 978-979-3401-61-

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Grammar [979]

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    Grammar. This manuscript is now IO Islamic 2288 in the India Office collections. [metadata: Otto Loth, A Catalogue of the Arabic Manuscripts in the Library of the India Office, (volume 1), no. 979 here with further notations and hyperlinks]. 979. 2288. Size 91/4 in. by 5 in.; foll. 58. Fifteen lines in a page. I.Foll. 2-38. IBN MÂLIK’S الالفيّة ( see no. 958) . Well written, with vowel-points. Completed on 18th Ramaḍân, 1094, by Molla Khwâjah Muḥammad Karbalâ’î b. Yakhshi Beg ماسولئى (sic). II.Foll. 39-57. كتاب الترصيف فى علم التصريف . A rhymed treatise on Inflection, by ‘ABD AL-RAḤMÂN B. ‘ÎSA 1 (Murshidî Makkî , d. A.H. 1037) . Cf. Cat. Mus. Brit. 244, 775. Written by the same hand as no. I. Dated 27th Ramaḍân, 1094. Various charms and formulas fill the vacant pages. [College of Fort William, 1825.] 1هو (ا)بن عيسى عابد الرحمن , verse 8

    Mandurama photograph collection [979] [picture] /

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    Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-979

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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