1,724,804 research outputs found

    UMNH:Mamm:9344

    No full text
    UMNH:Mamm:9344 Voucher specimen study ski

    Linked collectors and determiners for: KUZ Herbarium: collections of vascular plants.

    No full text
    Natural history specimen data linked to collectors and determiners held within, "KUZ Herbarium: collections of vascular plants". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/4796b3ec-d572-4f3f-9344-1cd3aa20fc8f">https://bionomia.net/dataset/4796b3ec-d572-4f3f-9344-1cd3aa20fc8f</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/4796b3ec-d572-4f3f-9344-1cd3aa20fc8f">https://gbif.org/dataset/4796b3ec-d572-4f3f-9344-1cd3aa20fc8f</a>. Formatted as a Frictionless Data package

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Miklos Veto, Le mal. Essais et études. Paris, L'Harmattan, 2000, ISBN 2-7384-9344-0

    No full text
    Siegwalt Gérard. Miklos Veto, Le mal. Essais et études. Paris, L'Harmattan, 2000, ISBN 2-7384-9344-0. In: Revue d'histoire et de philosophie religieuses, 81e année n°1, Janvier-mars 2001. pp. 126-127

    A critical review of Philippines’ Juvenile Justice and Welfare Act of 2006 (Republic Act No. 9344) and amendments thereto: Its implication to criminal law

    Full text link
    Abstract onlyThis study was conducted to explore and analyze the content of Republic Act No. 9344 otherwise known as Juvenile Justice and Welfare Act of 2006. The Qualitative Content Analysis method of research was used. The study is purely discussion type. No experiments, surveys or interviews were conducted. A discussion on the development of the R.A. 9344 was presented. The study determined some factors contributing to the antisocial behavior of children which leads them to commit errors in the society. This study also tackled the advantages and disadvantages of R.A. 9344. It deliberated on the provision of the law that has been the subject of arguments and controversies with a few Supreme Court Rulings pertinent to the applicability of its provisions. This study also made a comparison of the provisions of R.A. 9344 that were subsequently amended. The findings of the study revealed that the enactment of R.A. 9344 was the government’s response to the call of international Human Rights Instruments on the protection of children in conflict with the law. Some provisions were amended by virtue of R..A. 10630 to further comply with the international standards and to strengthen the implementation of the Philippines’ Juvenile Justice and Welfare Act.Includes bibliographical referencesJuris Docto

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore