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    Resolución UNRN N° 674/2009. Adjudicar contratación directa N° 23/2009

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    Fil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN N° 674/2009. Adjudicar contratación directa N° 23/2009fals

    Cowpea cultivar 92-674

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    A cowpea cultivar designated 92-674 is disclosed. The invention relates to the seeds of cowpea cultivar 92-674, plants and plant parts, and to methods for producing a cowpea plant produced by crossing cowpea cultivar 92-674 with itself or with another cowpea cultivar. The invention also relates to methods for producing a cowpea plant containing in its genetic material one or more transgenes and to the transgenic cowpea plants and plant parts produced by those methods. This invention also relates to cowpea cultivars or breeding cultivars and plant parts derived from cowpea cultivar 92-674, to methods for producing other cowpea cultivars, lines or plant parts and to the cowpea plants, varieties, and their parts derived from use of those methods. The invention further relates to hybrid cowpea seeds, plants and plant parts produced by crossing the cowpea cultivar 92-674 with another cowpea cultivar

    UMNH:Mamm:674

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    UMNH:Mamm:674 Voucher Specimen Study Ski

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    El Tlacuache Núm. 674 (2015). 674 Año 13 (2015) mayo. El Tlacuache

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    El cosmos olmeca en un vaso Jaime Francisco Reséndiz Machón. - La modificación del cuerpo como símbolo de estatus en Olintepec por Arqlgos. Georgia Yris Bravo López, Francisca Minerva Martínez Olvera y Gustavo Alejandro Cool Argüelles

    Verlustliste Nr. 674. (Nr. 674. /1918)

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    VERLUSTLISTE NR. 674. Verlustliste (-) Verlustliste Nr. 674. (Nr. 674. /1918) ([1]) Belehrung. (2) Offiziere. (3) A, B, C, D, F, G, H, J, K, L, M, N, O, P (3) R (3) S, T, V, Z (4) Einjährig-Freiwillige. (4) B, E, F, H, J (4) K (4) L, M, N, P, R, S, T, V, W (5) Mannschaft. (5) A (5) B (6) C (11) D (12) E (14) F (15) G (18) H (21) I (24) J (25) K (27) L (35) M (38) N (43) O (45) P (46) R (51) S (53) T (59) U (62) V (63) W (65) Z (66) Ergänzungen zu den Verlustlisten: (67) Nr. 62. Nr. 78. Nr. 207. Nr. 393. Nr. 658. Nr. 662. (67) Berichtigungen zu den Verlustlisten: (67) Nr. 26. Nr. 133. (67) Nr. 157. Nr. 198. Nr. 337. Nr. 428. Nr. 520. Nr. 530. Nr. 570. Nr. 593. Nr. 611. Nr. 613. Nr. 621-623. Nr. 625. Nr. 628. Nr. 636. Nr. 639. Nr. 641. Nr. 642. Nr. 644-650. Nr. 652. Nr. 653. Nr. 656-661. (68) Nr. 661. Nr. 662. Nr. 665. Nr. 674. (69) Ergänzungen und Berichtigungen zu den Verlustlisten: (69) Nr. 26. Nr. 34. Nr. 46. Nr. 77. Nr. 93. Nr. 204. Nr. 219. Nr. 238. Nr. 245. Nr. 257. Nr. 269. Nr. 306. (69) Nr. 320. Nr. 440. Nr. 533. Nr. 609. Nr. 626. Nr. 642. Nr. 644. Nr. 647. Nr. 649. Nr. 652. Nr. 658. Nr. 662. Nr. 664. Nr. 665. (70) Berichtigungen der Internierungsorte der aus Serbien nach Italien gebrachten Kriegsgefangenen. (70

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    674. Sukegō

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    Iwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 674. Sukegō. In: Dictionnaire historique du Japon, volume 18, 1992. Lettre S (2) p. 156

    674. Sukegō

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    Iwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 674. Sukegō. In: Dictionnaire historique du Japon, volume 18, 1992. Lettre S (2) p. 156
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