1,723,705 research outputs found
Block Card 6012 Livingston Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 6012 Livingstone Drive (Toledo, Ohio) | Ranch houses | Hopewell Acres (Toledo, Ohio) | Greenwood Area (Toledo, Ohio) | West Toledo Area (Toledo, Ohio
Block Card 6012 Curson Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 6012 Curson Drive (Toledo, Ohio) | Ranch houses | Hopewell Hills (Toledo, Ohio) | Greenwood Area (Toledo, Ohio) | West Toledo Area (Toledo, Ohio
Block Card 6012 Davida Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 6012 Davida Drive (Toledo, Ohio) | Garrison style | North Toledo (Toledo, Ohio) | Greenwood Area (Toledo, Ohio) | Davida Park (Toledo, Ohio
Normal detonation shock velocity-curvature relationship for materials with non-ideal equation of state and multiple turning points
No full textMade available in DSpace on 2021-11-04T16:29:13Z (GMT). No. of bitstreams: 2
TAM851-UILU-ENG-1997-6012.pdf: 2630425 bytes, checksum: dbfff217f92c40857afe80db3bf5c927 (MD5)
license.txt: 4802 bytes, checksum: 58353f9dd6876860dd5221f3d7872a95 (MD5)
Previous issue date: 1997-04F 496 93 1 0532 97/0
On construction of holograms with ink plotter
No full textA simple program for producing simulated intensity patterns on an ink plotter is presented, and the application of the program to the construction of numerically generated holograms is demonstrated.Made available in DSpace on 2021-11-04T16:25:17Z (GMT). No. of bitstreams: 2
TAM390-UILU-ENG-1974-6012.pdf: 4582038 bytes, checksum: 7351328740fe87475518b4e317f57018 (MD5)
license.txt: 4802 bytes, checksum: 58353f9dd6876860dd5221f3d7872a95 (MD5)
Previous issue date: 197
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ultra high speed photography using pulsed ruby laser and acoustic optic beam deflector
No full textMade available in DSpace on 2021-11-04T16:25:08Z (GMT). No. of bitstreams: 2
TAM375-UILU-ENG-73-6012.pdf: 7608474 bytes, checksum: 717652d23dd9ee188058b18fa0d4661e (MD5)
license.txt: 4802 bytes, checksum: 58353f9dd6876860dd5221f3d7872a95 (MD5)
Previous issue date: 1974-02NSF GK 25076 74/0
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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