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Fernkompass mit Magnesyn AN 5730-3 MFK07-17
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Fernkompass mit Magnesyn AN 5730-3 MFK07-17 (Gesamtansicht MFK07-17)
Gesamtansicht Fernkompass mit Magnesyn AN 5730-3 (Gesamtansicht MFK07-17)
Vorderansicht Fernkompass mit Magnesyn AN 5730-3 (Vorderansicht MFK07-17)
Seitenansicht (links) Fernkompass mit Magnesyn AN 5730-3 (Seitenansicht (links) MFK07-17)
Rückansicht Fernkompass mit Magnesyn AN 5730-3 (Rückansicht MFK07-17)
Seitenansicht (rechts) Fernkompass mit Magnesyn AN 5730-3 (Seitenansicht (rechts) MFK07-17)
Untersicht Fernkompass mit Magnesyn AN 5730-3 (Untersicht MFK07-17)
Draufsicht Fernkompass mit Magnesyn AN 5730-3 (Draufsicht MFK07-17
Fernkompass-Geber mit Magnesyn AN 5730-3 MFK05-09
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Fernkompass-Geber mit Magnesyn AN 5730-3 MFK05-09 (Gesamtansicht MFK05-09)
Gesamtansicht Fernkompass-Geber mit Magnesyn AN 5730-3 (Gesamtansicht MFK05-09)
Vorderansicht Fernkompass-Geber mit Magnesyn AN 5730-3 (Vorderansicht MFK05-09)
Seitenansicht (links) Fernkompass-Geber mit Magnesyn AN 5730-3 (Seitenansicht (links) MFK05-09)
Rückansicht Fernkompass-Geber mit Magnesyn AN 5730-3 (Rückansicht MFK05-09)
Seitenansicht (rechts) Fernkompass-Geber mit Magnesyn AN 5730-3 (Seitenansicht (rechts) MFK05-09)
Untersicht Fernkompass-Geber mit Magnesyn AN 5730-3 (Untersicht MFK05-09)
Draufsicht Fernkompass-Geber mit Magnesyn AN 5730-3 (Draufsicht MFK05-09)
Draufsicht Fernkompass-Geber mit Magnesyn AN 5730-3 (3D-Ansicht MFK05-09
Block Card 5730 Winona Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 5730 Winona Street (Toledo, Ohio) | Ranch houses | Ann Acres (Toledo, Ohio) | Greenwood Area (Toledo, Ohio) | West Toledo Area (Toledo, Ohio
Block Card 5730 Sloan Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | Inverness Suburban Acres (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio) | 5730 Sloan Road (Toledo, Ohio
SB 94, as amended by LCO 5730
No full text"May 6, 1996."; Discusses what would be required under state law should LCO 5730 be adopted for SB 94 (File 274).; Harvested from the web on 1/17/1
Block Card 5730 St. Clement Court
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cape Cod Style | 5730 St. Clement Court (Toledo, Ohio) | Dwelling | St. Clement Court (Toledo, Ohio) | Trilby Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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