1,724,645 research outputs found
Chicago, Burlington & Quincy (CBQ) 5603
No full textA photograph print showing Chicago, Burlington & Quincy (CBQ) 5603, 4-8-4, Cicero, IL
Block Card 5603 Adelaide Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5603 Adelaide Drive (Toledo, Ohio) | Dwelling | Silver Creek Hills and Dales Addition (Toledo, Ohio) | Trilby Area (Toledo, Ohio)
Block Card 5603 Airport Highway
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 5603 Airport Highway (Toledo, Ohio) | Dwelling | South Toledo Area (Toledo, Ohio) | Upright and Wing Styl
[Kinston Mfg. Co, Engine Drawing Card, Sketch No. 5603]
No full textThis engine drawing card was created for Kinston Manufacturing Company, class 10-16 1/4 D. Section N-10 1/4 D. Sketch 5603. Copy Spec. [field left blank]
Mammal faunal spectrum at Alsónyék subsite 5603/1 from the Starčevo phase (identifiable mammals only).
No full textMammal faunal spectrum at Alsónyék subsite 5603/1 from the Starčevo phase (identifiable mammals only).</p
HLA-B*5603: sequence of a novel hybrid allele comprising B*56 and B*4601 segments
No full textThe sequence of B*5603 has been deposited with the Genome Sequence Database and has the accession number U73113. The name B*5603 has been officially assigned by the World Health Organization (WHO) Nomenclature Committee in September 1996. This follows the agreed policy that, subject to the conditions stated in the most recent nomenclature report (1), names will be assigned to new sequences as they are identified. Lists of such new names will be published in the following WHO nomenclature report. CJL is a Wellcome Trust prize student
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Southern Pacific No. 5603 SF commuter train 112 pulls out of 3rd and Townsend station in San Francisco CA
No full textImage of Southern Pacific No. 5603 SF commuter train 112 pulling out of 3rd and Townsend station in San Francisco
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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