1,724,197 research outputs found
Computer System Engineering (SMA 5501)
No full textTopics on the engineering of computer software and hardware systems: techniques for controlling complexity; strong modularity using client-server design, virtual memory, and threads; networks; atomicity and coordination of parallel activities; recovery and reliability; privacy, security, and encryption; and impact of computer systems on society. Case studies of working systems and readings from the current literature provide comparisons and contrasts. Two design projects. Students engage in extensive written communication exercises. Enrollment may be limited. This course was also taught as part of the Singapore-MIT Alliance (SMA) programme as course number SMA 5501 (Computer System Engineering)
Herbario SGO-MNHNCL Registros (5501-5600)
No full text<p>Herbario SGO-MNHNCL Registros (5501-5600)</p>
Block Card 5501 Nebraska Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: garages | 5501 Nebraska Avenue (Toledo, Ohio) | commercial building
Block Card 5501 Lewis Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 5501 Lewis Avenue (Toledo, Ohio) | Dwelling | Greenwood Park Area (Toledo, Ohio) | Modern Colonial Styl
Enhancement of wheat tolerance to triallaic with the safener MON 5501
No full textThe triallate tolerance of wheat (Triticum aestivum L.) cultivars Marius and Mexicali was determined under growth‐chamber conditions. Mexicali was found to tolerate triallate at levels about fourfold higher than Marius. The susceptible wheat cultivar was protected against triallate by seed treatment with MON 5501. The herbicide concentration in the aerial part of the plants was determined by gas chromatography. Triallate levels were similar in both cultivars treated with 0.5 mg 1−1 of triallate. The safener did not affect the triallate content per plant in the susceptible wheat cultivar treated with 1 mg 1−1 of herbicide. Augmentation de la tolerance du blé au triallate avec le phytoprotecteur MON 5501 La tolerance au triallate des cultivars de ble Marius et Mexicali a été déterminée en chambre climatique. Mexicali s'est avéré 4 fois plus tolérant que Marius. Le cultivar de blé sensible a été protege du triallate par un traitement des grains avec MON 5501. La concentration en herbicide dans la partie aérienne des plantes a été determined par chromatographie gazeuse. Les taux de triallate ont été equivalents chez les 2 cultivars traites avec 0,5 mg l−1 de triallate. Le phytoprotecteur n'a pas affecté lateneur en triallate par plante chez le cultivar sensible traite avec 1 mg 1−1 d'herbicide. Verbesserung der Toleranz von Weizen gegenuber Triallat mil dem Antidot MON 5501 Die Triallat‐Toleranz der Weizensorten ‘Marius’ und ‘Mexicali’ wurde im Phytotron bestimmt. ‘Mexicali’ war etwa 4mal toleranter als ‘Marius’. Die empfindliche Weizensorte wurde durch Beizung mit MON 5501 gegen Triallat geschützt. Die Herbizidkonzentration in den oberirdischen Pflanzenteilen wurde gaschromatographisch bestimmt Der Wirkstoff‐Gehalt war in beiden mit 0,5 mg 1−1 Triallat behandelten Sorten ahnlich hoch. Das Antidot hatte keinen Einfluβ auf den Triallat‐Gehalt der empfindlichen Weizensorte, die mit 1 mg 1−1 behandelt worden war. Copyright © 1992, Wiley Blackwell. All rights reserve
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[Milwaukee Electric Railway & Light, Locomotive, Erecting Card Drawing No. 5501]
No full textErecting card drawing for Milwaukee Electric Railway and Light Company.This erecting drawing was created for Milwaukee Electric Railway & Light, Class 04-08 C 69-70. Erecting Card 5501. Index Number: 670A-80. For more technical details on this drawing, see Baldwin Erecting Drawings by Road Name: http://www.smu.edu/~/media/Site/libraries/degolyer/pdfs/BLW-EDWG-RoadName.pdf and/or Baldwin Erecting Drawings by Class Number: https://www.smu.edu/~/media/Site/libraries/degolyer/pdfs/BLW-EDWG-Class.pdf (Note: Search by Index Number or Erecting Card Number)
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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