1,724,158 research outputs found
Block Card 5318 Springdale Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Shotgun houses (Toledo, Ohio) | 5318 Springdale Avenue (Toledo, Ohio) | Dwelling | Cowan Place Addition (Toledo, Ohio) | Greenwood Park area (Toledo, Ohio
Block Card 5318 Brandon Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | Dwelling | Extension of Homedale Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio) | 5318 Brandon Road (Toledo, Ohio
Block Card 5318 Mardone Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5318 Mardone Drive (Toledo, Ohio) | Dwelling | Rancamp Place Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 5318 Yermo Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5318 Yermo Street (Toledo, Ohio) | Dwelling | Elizabeth Park Addition (Toledo, Ohio) | Greenwood Park area (Toledo, Ohio
Charlie Spence and Slim Duncan with engine #5318, Kamloops
No full textEngine No. 5318 in Kamloops, B.C. Engineer Charlie Spence and Slim Duncan posing beside engine
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Lightcurve and Rotation Period Determination for 5318 Dientzenhofer and 9083 Ramboehm
No full textPhotometric observations of the main-belt asteroids 5318 Dientzenhofer and 9083 Ramboehm were made in 2016 March and 2015 December, respectively. Analysis of the data found a bimodal lightcurve with a synodic rotation period of 8.062 ± 0.002 h for 5318 Dientzenhofer. A trimodal lightcurve with synodic period of 10.199 ± 0.004 h for 9083 Ramboehm was found to be the most likely solution
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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