1,725,473 research outputs found
MS-TCD-4663 Doodles
Close-up images of doodles made on MS-TCD-4663 from Fin de partie / Endgam
4663. Philippe de Commines
4663. Philippe de Commines. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). V. Introduction générale - Les Valois (suite), Louis XI et Charles VIII (1461-1494) Paris : A. Picard et fils, 1904. pp. 5-22
CIL II 4663 vs CIL II 4669
Los miliarios romanos constituyen una de las tipologías epigráficas que, a priori, ofrecen una interpretación textual más sencilla, dada la continua aparición en ellos de unas titulaturas imperiales sumamente repetitivas y, por ello, bien conocidas. Sin embargo, esta repetición de formularios prácticamente idénticos en distintas piezas, sumado a la proliferación de muchos miliarios de un mismo emperador en tramos concretos de una determinada vía romana, ha llevado en ocasiones a errores de identificación, a falsas correspondencias entre distintos miliarios e incluso a duplicidades en la investigación epigráfica sobre un mismo hito. En este trabajo, a través del análisis de la tradición que sobre ellos se tiene desde el siglo XVI, trataremos de desentrañar estos problemas al respecto de dos miliarios bien conocidos, procedentes de la Vía de la Plata, como son CIL II 4663 y CIL II 4669
Linked collectors and determiners for: Museo Provincial de Ciencias Naturales "Florentino Ameghino", Santa Fe, Argentina - Colección Squamata (no Serpentes) (MFA-ZV-Sq).
Natural history specimen data linked to collectors and determiners held within, "Museo Provincial de Ciencias Naturales "Florentino Ameghino", Santa Fe, Argentina - Colección Squamata (no Serpentes) (MFA-ZV-Sq)". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883">https://bionomia.net/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883">https://gbif.org/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883</a>. Formatted as a Frictionless Data package
Linked collectors and determiners for: Museo Provincial de Ciencias Naturales "Florentino Ameghino", Santa Fe, Argentina - Colección Squamata (no Serpentes) (MFA-ZV-Sq).
Natural history specimen data linked to collectors and determiners held within, "Museo Provincial de Ciencias Naturales "Florentino Ameghino", Santa Fe, Argentina - Colección Squamata (no Serpentes) (MFA-ZV-Sq)". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883">https://bionomia.net/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883">https://gbif.org/dataset/82a6608d-372b-4663-8ed3-dbe0c2bff883</a>. Formatted as a Frictionless Data package
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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