1,770,668 research outputs found
Participant 463 Community Conversations Written Interview
No full textIn this written interview, Participant 463 shares that they lost their job because of the pandemic. They express difficulty with obtaining unemployment benefits. The participant describes their surprise over how quickly the virus circulated and its ability to change so many lives.New Jersey Department of Healt
Change FRN 463 and SPN 463 to FCE 463
No full textslight change, FYI to President HalsteadResolution Number: 2009-2010_20Academic Year: 2009-2010FRN 463 and SPN 463 will become FCE 463.SUNY BrockportCollege Senate Resolution
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Verlustliste Nr. 463. (Nr. 463. /1916)
No full textVERLUSTLISTE NR. 463.
Verlustliste (-)
Verlustliste Nr. 463. (Nr. 463. /1916) ([1])
Belehrung. (2)
Offiziere. (3)
A, B, D, E, F, G, H, I, J, K, L (3)
M (3)
N, P, R, S, T, U, V, W, Z (4)
Mannschaft. (5)
A (5)
B (5)
C (9)
D (11)
E (13)
F (13)
G (15)
H (18)
I (21)
J (21)
K (22)
L (29)
M (31)
N (34)
O (36)
P (37)
Q (41)
R (41)
S (43)
T (51)
U (53)
V (53)
W (55)
Z (57)
Ergänzungen zu den Verlustlisten: (58)
Nr. 135. Nr. 181. Nr. 208. (58)
Berichtigungen zu den Verlustlisten: (58)
Nr. 68. Nr. 194. Nr. 213. Nr. 236. Nr. 345. Nr. 346. Nr. 392. Nr. 402. Nr. 410. Nr. 437. (58)
Ergänzungen und Berichtigungen zu den Verlustlisten: (59)
Nr. 22. Nr. 88. Nr. 412. (59
(Table 1) Sr isotopes on carbonates at DSDP Hole 62-463
No full textStudy of 12 carbonate oozes from Deep Sea Drilling Project Hole 463, in the Mid-Pacific Mountains, suggests mean values of 0.70690 ± 0.00029 (2-sigma) and 0.70712 ± 0.00030 (relative to 0.71014 for the NBS 987 Sr isotope standard) as representing the Sr isotope composition of the Barremian and early Aptian seas, respectively. Two additional values of less than 0.7064 are the least radiogenic values known from the Phanerozoic and may be a consequence of the introduction of Sr depleted in the heavy isotope from massive submarine volcanic activity, which followed the initiation of the latest oceanic spreading episode in the Oxfordian
Resolución Rectoral Nº 463/2015. Designar profesor extraordinario en la categoría profesor visitante.
No full textFil: Rector (R). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución Rectoral Nº 463/2015. Designar profesor extraordinario en la categoría profesor visitante para el dictado del espacio curricular Nuevos Paradigmas en Gestión Pública de la carrera de Posgrado Maestría en Políticas Públicas y Gobierno.fals
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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