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Resolución UNRN N° 439/2009. Otorga equivalencia
No full textFil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN N° 439/2009. Otorga equivalenciafals
Participant 439 Community Conversations Interview
No full textIn this interview, Participant 439 says their lifestyle has not changed much since the pandemic. They share that they enjoy spending time at home, so they did not feel a significant change socially. The participant shares that their mother had COVID-19 and no one could accompany her in the hospital, which was difficult. The participant shares their perspective on the COVID-19 vaccine, and explains their disappointment and surprise that the pandemic had the impact that it did, given modern research and medicine.New Jersey Department of Healt
40Ar/39Ar ages of boulders drilled at DSDP Hole 57-439
No full textThe 40Ar/39Ar stepheating dating method was applied to parts of three boulders recovered at Site 439, DSDP Leg 57. All the samples gave a well-defined isochron. The isochron ages agree with each other within the experimental uncertainties and give a mean value of 21.4 ± 1.0 Ma
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The construction of Karen Karnak: The multi-author-function
No full textThis thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
AC1-439 - Finnish, Welsh
No full text• Finnish • Welsh Newton's list comments: Finno-Ugric language. Brythionic Celtic language. Archive tape note: 00.00 AIATSIS announcement. Tape 439. Finnish and Welsh languages. 23.30 End of Tape 439. Tape Misc. 1, side 1. Daniel Jones – cardinal vowels. Bjorn Jernudd – consonants. 47.00 End of Tape 439, side 1 and end of archive tape. (side b blank) AIATSIS Identifier: A16672. Language as given
Geochemistry at DSDP Hole 57-439
No full textDating of a hornblende concentrate by the 40Ar/39Ar method gives an age of 23.4±5.5 m.y. for a dacite boulder from conglomerate in Deep Sea Drilling Project Hole 439. The conglomerate clasts range up to 1 meter in diameter and are nearly monolithologic, suggesting that a nearby former volcano erupted the dacite. The dacite is only 90 km landward from the Japan Trench, whereas modern trench-related volcanoes lie at least 120 km from their trenches. The dacite locality is on strike with and is probably an extension of a magmatic arc on the island of Hokkaido that crosses the Kuril arc at an angle of 65° and which was active 16 to 36 m.y. ago. The part of the former arc landward from the Kuril arc argues against an origin from a leaking subduction zone or from subduction of an active spreading ridge. The part seaward both from the Kuril and Japan arcs weakens an explanation based on migration of a trench-trenchtrench triple junction. The magmatic rocks probably formed along a middle-Tertiary plate boundary that had stepped seaward from a more-landward Cretaceous position. Later, the boundary stepped farther seaward at the Kuril arc and landward again at the Japan arc. If so, the present Japan subduction zone must have consumed most of the strata that had accumulated between it and the earlier trench
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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