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    Burr, W W, 4275

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/374975Surname: BURR Given Name(s) or Initials: W W Military Service Number or Last Known Location: 4275 Missing, Wounded and Prisoner of War Enquiry Card Index Number: 41865186356 Item: [2016.0049.07283] "Burr, W W, 4275

    Block Card 4275 Miramar Drive

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 4275 Miramar Drive (Toledo, Ohio) | Heatherwoods (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | Ranch houses | Dwellin

    Actas del Santo definitorio del capitulo General del Real y Militar Orden de Nuestra Señora de la Merced, Redencion de Cautivos [Texto impreso] : celebrado en el Real Convento de San Lazaro de... Zaragoza..., 1738...

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    Hay un ejemplar encuadernado con: Diversas Cartas que se han recogido de el venerable hermano Fray Francisco de el Niño Jesús... (XVIII/4275).Sign. : A

    Breve noticia y succinta relacion del recibimiento, que se les hizo al Redentor, y Redimidos, en la Ciudad de Valencia, por los Religiosos de nuestra Señora de la Merced, Redencion de Cautivos, y Fiesta de Gracias, que los mismos hicieron à Maria Santissima su Fundadora... [Texto impreso]

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    Esc. xil al principio del textoEn el texto consta, 1752Hay un ejemplar encuadernado con: Diversas Cartas que se han recogido de el venerable hermano Fray Francisco de el Niño Jesús... (XVIII/4275)

    Sermon, que a la reedificacion de la capilla de la Virgen de las Virtudes [Texto impreso] ... año 1745]

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    Hay un ejemplar encuadernado con: Diversas Cartas que se han recogido de el venerable hermano Fray Francisco de el Niño Jesús... (XVIII/4275).Fecha de la aprobación : 1745Sign. : *4, 2*2, A-C4, D2Letras iniciales decoradas y friso tip. en p. 1Apostillas marginales y reclamosViñetas xil

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Relacion puntual de las fiestas, con que la ... ciudad de Valencia acreditò [Texto impreso] ...]

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    Hay un ejemplar encuadernado con: Diversas Cartas que se han recogido de el venerable hermano Fray Francisco de el Niño Jesús... (XVIII/4275).Texto fechado en Valencia el 27 de septiembre de 1746Según Palau, T. XII, nº 205491, está impreso en 1746Sign. : []1, *4, A-N4Port. con orla tip.Texto con apostillas marginales y reclamo

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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