1,725,158 research outputs found

    Clemo, F J, 4264

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/377582Surname: CLEMO Given Name(s) or Initials: F J Military Service Number or Last Known Location: 4264 Missing, Wounded and Prisoner of War Enquiry Card Index Number: 11006191396 Item: [2016.0049.09880] "Clemo, F J, 4264

    Block Card 4264 River Road

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 4264 River Road (Toledo, Ohio) | Dwelling | Amended Plat of Copland Heights (Toledo, Ohio) | South Toledo Area (Toledo, Ohio

    Block Card 4264 Inverdale Road

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | Dwelling | Inverness Place Subdivision (Toledo, Ohio) | Inverness Area (Toledo, Ohio) | 4264 Inverdale Road (Toledo, Ohio

    Block Card 4264 Miramar Drive

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 4264 Miramar Drive (Toledo, Ohio) | Heatherwoods (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | Ranch houses | Dwellin

    Linked collectors and determiners for: A taxonomic study of Eupolyphaga Chopard, 1929 (Blattodea: Corydiidae: Corydiinae).

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    Natural history specimen data linked to collectors and determiners held within, "A taxonomic study of Eupolyphaga Chopard, 1929 (Blattodea: Corydiidae: Corydiinae)". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/9fce96d4-8e89-4264-944a-4aef2a8046cb">https://bionomia.net/dataset/9fce96d4-8e89-4264-944a-4aef2a8046cb</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/9fce96d4-8e89-4264-944a-4aef2a8046cb">https://gbif.org/dataset/9fce96d4-8e89-4264-944a-4aef2a8046cb</a>. Formatted as a Frictionless Data package

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Evidence of a fast bar in the weakly-interacting galaxy NGC 4264 with MUSE

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    We present surface photometry and stellar kinematics of NGC 4264, a barred lenticular galaxy in the region of the Virgo Cluster undergoing a tidal interaction with one of its neighbours, NGC 4261. We measured the bar radius (abar = 3.2 ± 0.5 kpc) and strength (Sbar = 0.31 ± 0.04) of NGC 4264 from Sloan Digital Sky Survey imaging and its bar pattern speed (Ωbar = 71 ± 4 km s−1 kpc−1) using the Tremaine-Weinberg method with stellar-absorption integral-field spectroscopy performed with the Multi Unit Spectroscopic Explorer at the Very Large Telescope. We derived the circular velocity (Vcirc = 189 ± 10 km s−1) by correcting the stellar streaming velocity for asymmetric drift and calculated the corotation radius (Rcor = 2.8 ± 0.2 kpc) from the bar pattern speed. Finally, we estimated the bar rotation rate (Rcor/abar = 0.88 ± 0.23). We find that NGC 4264 hosts a strong and large bar extending out to the corotation radius. This means that the bar is rotating as fast as it can like nearly all the other bars measured so far even when the systematic error due to the uncertainty on the disc position angle is taken into account. The accurate measurement of the bar rotation rate allows us to infer that the formation of the bar of NGC 4264 was due to self-generated internal processes and not triggered by the ongoing interaction

    A MUSE study of the fast bar in the weakly-interacting galaxy NGC 4264

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    We present surface photometry and stellar kinematics of NGC 4264, a lenticular galaxy in the region of the Virgo Cluster undergoing a tidal interaction with its neighbour, NGC 4261. We measured the bar radius and strength from SDSS imaging and the bar pattern speed from MUSE integral-field spectroscopy. We find that NGC 4264 hosts a strong and large bar, which is rotating fast. The accurate measurement of the bar rotation rate allows us to exclude that the formation of the bar was triggered by the ongoing interaction

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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