1,725,090 research outputs found
Block Card 4233 Penelope Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 4233 Penelope Drive (Toledo, Ohio) | Dwelling | Trilby Area (Toledo, Ohio)
Block Card 4233 McGregor Lane
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cape Cod Style | 4233 McGregoe Lane (Toledo, Ohio) | Dwelling | Concord Woods Addition (Toledo, Ohio) | Trilby Area (Toledo, Ohio)
Block Card 4233 Miramar Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 4233 Miramar Drive (Toledo, Ohio) | Heatherwoods (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | Ranch houses | Dwellin
Block Card 4233 Rose Garden Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 4233 Rose Garden Drive (Toledo, Ohio) | Ranch houses | Nopper Garden Estates Plat 3 | Nopper Garden Estates Plat 4 | Franklin Park Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
PICA 4233 - erste Anwendungen im Südwesten
No full textDie Regionalbibliotheken Deutschlands sind ein wichtiger
Akteur bei der Sicherung der textlichen Überlieferung. Sie haben sich daher dazu
verpflichtet, Bestandserhaltungsmaßnahmen und Archivierungsgarantien zu
übernehmen und in den Verbundsystemen zu dokumentieren. Dies erfolgt, nach
den Vorgaben eines neuen Datenmodells, im Feld 4233 des PICA-Internformats
bzw. im Feld 583 des MARC-Austauschformats. Die Badische Landesbibliothek
berichtet in diesem Aufsatz über erste Anwendungen bei der Massenentsäuerung regionaler Literatur, bei der Kennzeichnung physischer und elektronischer
Pflichtexemplare und bei der digitalen Langzeitarchivierung
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Observations, éléments et courbe de lumière de l’étoile variable VZ Cygne (B. D. + 42°, 4233)
No full textLuizet Michel. Observations, éléments et courbe de lumière de l’étoile variable VZ Cygne (B. D. + 42°, 4233). In: Bulletin astronomique, tome 26, 1909. pp. 282-285
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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