1,725,407 research outputs found
SUBTRACTIVE RAINBOW (#3778 SIERRA)
No full textMayumi LakeSUBTRACTIVE RAINBOW (#3778 SIERRA), 2016Pigment print, 24 x 35 in.https://via.library.depaul.edu/oral_his_gallery/1343/thumbnail.jp
Santa Fe (ATSF) 3885 & 3778 on "The Chief"
No full textPhotograph of the Santa Fe (ATSF) 3885, 4-8-2, leading 3778, 4-8-2, on the eastbound passenger train "The Chief", on the grade just east of Cajon Station, CA. Engineer on running board of 3778 after having repaired a check valve while train was in motion
Santa Fe (ATSF) 3778 on "California Limited"
No full textA photograph print showing the Santa Fe (ATSF) 3778, 4-8-4, on Second No. 3, "California Limited", on horseshoe curves west of Blanchard, NM, 10 cars, 30 mph. [This shot taken shortly after 2008.008.0353
Santa Fe (ATSF) 3778 on "California Limited"
No full textA photograph print showing the Santa Fe (ATSF) 3778, 4-8-4, on Second No. 3, "California Limited", on horseshoe curves west of Blanchard, NM, 10 cars, 30 mph
Santa Fe (ATSF) 3778 on "California Limited"
No full textA photograph print showing the Santa Fe (ATSF) 3778, 4-8-4, on second passenger train No. 3, "California Limited", traversing the horseshoe curves west of Blanchard, NM, 10 cars, 30 mph. [see also 2008.008.0354] New Mexico Divisio
Linked collectors and determiners for: Revision of the Nearctic endemic Formica pallidefulva group..
No full textNatural history specimen data linked to collectors and determiners held within, "Revision of the Nearctic endemic Formica pallidefulva group.". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/62108056-3778-4e1d-9b87-4460737053dd">https://bionomia.net/dataset/62108056-3778-4e1d-9b87-4460737053dd</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/62108056-3778-4e1d-9b87-4460737053dd">https://gbif.org/dataset/62108056-3778-4e1d-9b87-4460737053dd</a>. Formatted as a Frictionless Data package
Linked collectors and determiners for: Revision of the Nearctic endemic Formica pallidefulva group..
No full textNatural history specimen data linked to collectors and determiners held within, "Revision of the Nearctic endemic Formica pallidefulva group.". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/62108056-3778-4e1d-9b87-4460737053dd">https://bionomia.net/dataset/62108056-3778-4e1d-9b87-4460737053dd</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/62108056-3778-4e1d-9b87-4460737053dd">https://gbif.org/dataset/62108056-3778-4e1d-9b87-4460737053dd</a>. Formatted as a Frictionless Data package
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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