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Santa Fe (ATSF) 3732
No full textA photograph print showing Santa Fe 3732, 4-8-2, on passenger Train No. 92, passing Bloom, CO
St. Louis & San Francisco (SLSF) "Frisco" 3732
No full textA photograph print showing the St. Louis and San Francisco (SLSF) "Frisco" 3732, 0-6-0 (BLW), Kansas City, MO
St. Louis & San Francisco (SLSF) "Frisco" 3732
No full textA photograph print showing the St. Louis and San Francisco (SLSF) "Frisco" 3732, 0-6-0 (BLW), Kansas City, MO
Block Card 3732 Angola Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Gothic Revival Style | 3732 Angola Road (Toledo, Ohio) | Dwelling | Adams Township Area (Toledo, Ohio
[Atchison, Topeka, and Santa Fe, Locomotive No. 3732 with Tender]
No full textNegative sleeve: 82:232:2646; [typed] Atchison, Topeka & Santa Fe, #3732 [Everett DeGolyer, Jr.'s Notes] Left side of train, photographed at 3/4 angle, showing engine and tender. Clear, sharp, and well exposed. Train is being stored at a motive power depot. No. 3732 is a 4-8-2 type, 3700 class E locomotive. Built by Baldwin Locomotive in 1921 as No. 54993
Young, John Ellis, 1943-2013 (SC 3732)
Get PDFFinding aid only for Manuscripts Small Collection 3732. Genealogy, with narrative elements, of the Rowan family of Kentucky, prepared by John Ellis Young. Includes a letter to Randall Capps explaining the genealogy and referring to Capps’s own work, The Rowan Story: From Federal Hill to My Old Kentucky Home
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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