1,728,070 research outputs found
Electron paramagnetic resonance evaluation of defects at the (100)Si/Al2O3 interface
No full textElectron paramagnetic resonance (EPR) was conducted on aluminium oxide films deposited by atomic layer deposition on (100)Si. Multiplet spectra are observed, which can be consistently decomposed assuming the presence of only Pb0 and Pb1 centres, which are well known in Si/SiO2 structures. Al2O3 films deposited on HF-treated (100)Si exhibit unpassivated Pb0 and Pb1 centres, with concentrations of (7.7±1.0)x1011 cm-2 and (8±3)x1010 cm-2 respectively. Rapid thermal annealing of the substrate in NH3 prior to film deposition reduces the unpassivated Pb0 concentration to (4.5±0.7)x1011 cm-2. Forming gas annealing at temperatures in the range 400oC to 550oC causes no further reduction in defect density; this may be related to a spread in passivation activation energy, associated with low temperature deposition
Block Card 3727 Hazelhurst Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling (Toledo, Ohio) | cleveland double | multi-family | Homewood Park Extension (Toledo, Ohio) | Willys Park area (Toledo, Ohio) | West Toledo (Toledo, Ohio) | 3727 Hazelhurst Avenue (Toledo, Ohio
Myer Mehl home at 3727 Bellaire Circle, Fort Worth, Texas
No full textFort Worth. City of. Residences. Exterior shot of the Myer Mehl home at 3727 Bellaire Circle.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/14197/thumbnail.jp
Block Card 3727 Tall Oaks Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 3727 Tall Oaks Road (Toledo, Ohio) | Dwelling | Country Club Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Hodges, Mary J. Mollie (SC 3727)
Full text linkFinding aid and typescripts (Click on Additional Files below) for Manuscripts Small Collection 3727. Letters of Mollie Hodges, Hart County, Kentucky, to her future husband Ambrose King, written during his Civil War U.S. Army service. She mourns their separation, mentions the Confederate presence near Burkesville, and recalls her visit to him in camp, where she found him in a sad state of mind. Distressed by his mood, she is anxious to keep up their correspondence
Santa Fe (ATSF) 1226 & 3727 on "The Navajo"
No full textA photograph postcard showing Santa Fe (ATSF) 1226, 4-6-2, and 3727, 4-8-2, leaving San Bernardino, CA, for Cajon Pass, with No. 10 "The Navajo", 11 cars, 35 mph
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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