1,724,919 research outputs found
Kant on the “logical objection” to the ontological argument: fragment R 3706. Part II
No full textThis article considers manuscript fragment R 3706, in which Kant criticises the traditional objection to the ontological argument based on ideal-real judgement distinction. The author analyses the relation this criticism to Kant’s argumentation in Nova dilucidatio and the earlier polemic on the ontological argument
Block Card 3706 Drexel Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3706 Drexel Drive (Toledo, Ohio) | Bungalow Style | Craftsman Style | Willys Park area (Toledo, Ohio) | Extension of Dixon Place (Toledo, Ohio
Block Card 3706 Treelawn Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Split-Level Style | 3706 Treelawn Drive (Toledo, Ohio) | Dwelling | Heatherway Plat (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 3706 Torrance Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3706 Torrance Drive (Toledo, Ohio) | Colonial Revival Style | Almeda Heights (Toledo, Ohio) | Willys Park area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Block Card 3706 Rushland Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: English Cottage Style | Dwelling | 3706 Rushland Avenue (Toledo, Ohio) | Extension of Forest View Addition (Toledo, Ohio) | Deveaux Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Baird, Nancy Disher, b. 1935 (SC 3706)
Get PDFFinding aid only for Manuscripts Small Collection 3706. Notes and typescripted portions of letters, diaries and journals of women who emigrated to South Africa from the United Kingdom, 1819-1892. From collections in South African repositories, including the Cory Library, Grahamstown
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
