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Resolución UNRN N° 368/2009. Contratar personal temporario
No full textFil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN N° 368/2009. Contratar personal temporariofals
Gemeindenachrichten Ottensheim 2014 / 368 (2014 / 368)
No full textGEMEINDENACHRICHTEN OTTENSHEIM 2014 / 368
Gemeindenachrichten Ottensheim (-)
Gemeindenachrichten Ottensheim 2014 / 368 (2014 / 368) ([1]
Моделирование некроза миокарда в эксперименте и создание сосудистых ксенопротезов для регенеративной медицины
Get PDFChizh NA, Byzov DV, Shkand TV, Babaeva AG, Trofimova AV, Mikhaylova IP, Sleta IV, Sandomirsky BP. Experimental Model of Myocardial Necrosis and Creation of Vascular Xenoprostheses for Regenerative Medicine. Probl Cryobiol Cryomed. 2013; 23(4): 368-72.Experimental Model of Myocardial Necrosis and Creation of Vascular Xenoprostheses for Regenerative Medicin
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Design issues toward a cost effective physical layer for multiband OFDM (ECMA-368) in consumer products
No full textThe creation of Wireless Personal Area Networks (WPANs) offers the Consumer Electronics industry a mechanism to truly unwire consumer products, leading to portability and ease of installation as never seen before. WPAN's can offer data-rates exceeding those that are required to convey high quality broadcast video, thus users can easily connect to high quality video for multimedia presentations in education, libraries, advertising, or have a wireless connection at home. There have been many WPAN proposals, but this paper concentrates on ECMA-368 as this standard has the largest industrial and implementers' forum backing. With the aim to effective consumer electronic define and create cost equipment this paper discusses the technology behind ECMA-368 physical layer, the design freedom availabilities, the required processing, buffer memory requirements and implementation considerations while concentrating on supporting all the offered data-rates(1)
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Bulletin No. 368 - A Study of Sagebrush, The Section Tridentatae of Artemisia
No full textBulletin No. 368 - A Study of Sagebrush, The Section Tridentatae of Artemisi
PHIL 368: Philosophical Concepts in Literature Syllabus, 2020-2021
No full textPHIL 368-001: Philosophical Concepts in Literature: Lierkegaard as Author syllabus for the spring semester, 2021 submitted to the Faculty Senate
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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