1,728,666 research outputs found
Abdoo, Mary, 1913-1990 (SC 3668)
Full text linkFinding aid and scan (Click on Additional Files below) for Manuscripts Small Collection 3668. “The Elk Horn Coal Corporation,” by Mary Abdoo. The 1935 report examines Elkhorn coal as well as the corporation’s history, officers, and financial status. Includes a letter from the author outlining the company’s approval of the report
Rose, R S, 3668
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414250Surname: ROSE. Given Name(s) or Initials: R S. Military Service Number or Last Known Location: 3668. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 3270.233396
Item: [2016.0049.46511] "Rose, R S, 3668
Cranfil, Darrel, 571-52-3668
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/379436Surname: CRANFIL
Given Name(s) or Initials: DARREL
Military Service Number or Last Known Location: 571-52-3668
Missing, Wounded and Prisoner of War Enquiry Card Index Number: SEA-4856193248
Item: [2016.0049.11729] "Cranfil, Darrel, 571-52-3668
Descriptive statistics of parental assessment and physical activity (N = 3668).
No full textDescriptive statistics of parental assessment and physical activity (N = 3668).</p
Socio-demographic characteristics of the parents participating in the study (N = 3668).
No full textSocio-demographic characteristics of the parents participating in the study (N = 3668).</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Effect of PSK 3668 on SKF 38393-induced Fos expression.
No full text<p>SKF 38393 increased Fos expression within the AVPV, CPu, BST, mPOA, CeA, VMH, Arc, and Hb, but not within the PVP. Pretreatment with PSK 3668 partially blocked SKF 38393-induced Fos expression within the BST and CeA. Data are shown as mean±standard error. Within each brain region, bars not denoted by the same letter are statistically different (p<0.05).</p
Author Correction: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
Full text linkCorrection to: Nature Genetics https://doi.org/10.1038/ng.3668, published online 26 September 2016.
In the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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