1,724,615 research outputs found
[Southern Pacific 3652 Train, Negative]
No full textNegative of Southern Pacific Railway's 3652 train. The train consists of a circular locomotive and its square cab with a L-shaped train car on the left. The locomotive is on the right, lined with pipes, smokestacks emitting smoke, and a dark bell. The locomotive's cab has a dark window with white text reading "3652" and an arched roof is sat at the center of the train. Another train is visible along the right edge of the photograph behind a railroad signal. Rocks cover the foreground in small piles
Demographic data with 3652 cases for PECA therapy.
No full textDemographic data with 3652 cases for PECA therapy.</p
Block Card 3652 Terrace Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3652 Terrace Drive (Toledo, Ohio) | Ranch Style | Ratterrees Boulevard Terrace | Buckeye Basin | North Toled
[Southern Pacific 3652 Train, Print]
No full textPhotograph of Southern Pacific Railway's 3652 train from the side. The circular locomotive is sat on tall wheels and covered in pipes, smokestacks, and a bell. A square cab with an arched roof and a dark window sits behind the locomotive on the left. A L-shaped tank car is pulled along at the left beside a railroad signal. Another railroad signal is sat on the right edge of the photograph. Dirt and rock piles cover the foreground along the side of the train
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Genome Sequence of Leuconostoc pseudomesenteroides KCTC 3652
No full textABSTRACT
We announce the genome sequence of one of the most prevalent lactic acid bacteria present during the manufacturing process of cane juice, the type strain
Leuconostoc pseudomesenteroides
KCTC 3652 (3,244,985 bp, with a G+C content of 38.3%), which consists of 1,160 large contigs (>100 bp in size). All of the contigs were assembled by the Newbler Assembler 2.3 software program (454 Life Sciences).
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Save Your Local Government Committee - Louisville, Kentucky (SC 3652)
No full textFinding and and scan (Click on Additional Files below) for Manuscripts Small Collection 3652. Flyer issued by the Save Your Local Government Committee, Louisville, Kentucky, outlining its objections to the proposed new state constitution and urging voters to vote against its adoption on 8 November 1966
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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