1,724,551 research outputs found
Block Card 3448 Otjen Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 3448 Otjen Road (Toledo, Ohio) | Dwelling | Trilby Area (Toledo, Ohio)
Santa Fe (ATSF) 3448 on "California Limited"
No full textA photograph print showing Santa Fe 3448, 4-6-2 (BLW), class 3400, on train No. 3, "California Limited", Topeka, KS
Block Card 3448 Woodley Court
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 3448 Woodley Court (Toledo, Ohio) | Ranch houses | Trail Acres (Toledo, Ohio) | Westgate Area (Toledo, Ohio) | West Toledo area (Toledo, Ohio
Block Card 3448 Beverly Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | Dwelling | Beverly Place Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | 3448 Beverly Drive (Toledo, Ohio
Block Card 3448 Downing Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 3448 Downing Avenue (Toledo, Ohio) | dwelling | Secor Gardens Addition (Toledo, Ohio) | Scott Park Area (Toledo, Ohio) | Mission Styl
3448 Inverness Avenue, Toledo, Ohio, 1983
No full textFrom the Ted J. Ligibel Collection, a 1983 view of a historic home, Inverdale, on Inverness Avenue near Byrne Road in Toledo. Terms associated with the photograph are: historic buildings | 3448 Inverness Avenue (Toledo, Ohio) | dwellings | Byrne Road (Toledo, Ohio) | Neo-Spanish Colonia
Wilson, Isabel (Beauchamp), 1911-2003 (SC 3448)
Full text linkFinding aid and scans (Click on Additional Files below) for Manuscripts Small Collection 3448. Letter, 26 March 1940, of Isabel Wilson, Russellville, Kentucky, to Mary (Butts) Perry, Bowling Green, Kentucky, whom Isabel’s uncle Ross Perry had married seven months before his death in 1939. The daughter of Ross’s sister Cora Belle, Isabel provides information about Ross’s family and her own. Includes a brief data sheet about Ross
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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