1,724,837 research outputs found
Block Card 3418 Worley Place
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3418 Worley Place (Toledo, Ohio) | Bungalows | John L. Gornys Stickney Avenue Addition (Toledo, Ohio) | North Toledo (Toledo, Ohio) | Stickney-Buckeye Area (Toledo, Ohio) | Buckeye Basin (Toledo, Ohio
Block Card 3418 Gorny Place
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3418 Gorny Place (Toledo, Ohio) | Colonial Revival Style | North Toledo (Toledo, Ohio) | Stickney-Buckeye Area (Toledo, Ohio) | John L. Gornys Stickney Avenue Addition (Toledo, Ohio
Block Card 3418 Rushland Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Modern Colonial Style | Dwelling | 3418 Rushland Avenue (Toledo, Ohio) | Forest View Addition (Toledo, Ohio) | Deveaux Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Block Card 3418 Angela Place
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3418 Angela Place (Toledo, Ohio) | Ranch Style (Toledo, Ohio) | North Toledo (Toledo, Ohio) | Stickney-Buckeye Area (Toledo, Ohio) | John L. Gornys Stickney Avenue Addition (Toledo, Ohio
IC 3418: Star Formation in a Turbulent Wake
Full text linkGalaxy Evolution Explorer observations of IC 3418, a low surface brightness galaxy in the Virgo Cluster, revealed a striking 17 kpc UV tail of bright knots and diffuse emission. Hα imaging confirms that star formation is ongoing in the tail. IC 3418 was likely recently ram pressure stripped on its first pass through Virgo. We suggest that star formation is occurring in molecular clouds that formed in IC 3418's turbulent stripped wake. Tides and ram pressure stripping (RPS) of molecular clouds are both disfavored as tail formation mechanisms. The tail is similar to the few other observed star-forming tails, all of which likely formed during RPS. The tails' morphologies reflect the forces present during their formation and can be used to test for dynamical coupling between molecular and diffuse gas, thereby probing the origin of the star-forming molecular gas
Block Card 3418 North Barstow Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | Dwelling | 3418 North Barstow Avenue (Toledo, Ohio) | Forest Grove Addition (Toledo, Ohio) | Trilby Area (Toledo, Ohio)) | West Toledo Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[IO Islamic 3418] حديقه
No full textḤadîḳah.
This manuscript is now IO Islamic 921 in the India Office collections.
[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 3418 here with notations and hyperlinks].
921
A defective copy of the same.
This copy is defective both at the beginning and end, and is besides in quite a hopeless state of confusion as to the proper order of the leaves. They are misplaced or misbound, and as most of the catchwords are missing, it is not possible to set them right. The copy begins in the middle of a prose preface, which winds up with a fihrist of the ten bâbs, and appears to be that of Muḥammad bin ‘Alî al-Raffâ (alias Muḥammad bin ‘Alî Raḳḳâm, see Rieu ii. p. 550b), on fol. 1a. On fol. 3a begins Sanâ’î’s own preface: سپاس و ستايش الخ, but in an abridged form. The mathnawî itself begins on fol.6b; on fol. 37b appears the beginning of Bâb VIII, on fol. 50a that of Bâb IX, on fol. 86b that of Bâb X, on fol. 193a that of Bâb V, on fol. 246b that of Bâb VI, on fol. 250a that of Bâb VII, and on fol. 270b that of Bâb II. No other headings are to be found. Slight injuries here and there.
No. 3418, olim 13. J. 22, ff. 300, 2 coll., each ll. 17; Nasta’lîḳ; small illuminated frontispiece on fol. 6b; size, 63/4 in. by 41/8 in
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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