1,724,740 research outputs found
Coldrey, J C, 3382
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/377941Surname: COLDREY
Given Name(s) or Initials: J C
Military Service Number or Last Known Location: 3382
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 10098191754
Item: [2016.0049.10235] "Coldrey, J C, 3382
Greenwood, H A, 3/3382
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/428036Surname: Greenwood. Given Name(s) or Initials: H A. Military Service Number or Last Known Location: 3/3382. Prisoner of War Enquiry Card Index Number: K 288. Division Enquiry: BCOF. Rank: PTE. Unit: [No Unit]326793
Item: [2016.0049.60298] "Greenwood, H A, 3/3382
Block Card 3382 Otto Street
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Tudor Revival Style | Dwelling | 3382 Otto Street (Toledo, Ohio) | Stickney-Buckeye Area (Toledo, Ohio) | North Toledo (Toledo, Ohio) | John L. Gornys Stickney Avenue Addition (Toledo, Ohio
Block Card 3382 Detroit Avenue
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: apartment houses | Georgian Revival Style | Toledo Olde Towne (Toledo, Ohio) | Old West End (Toledo, Ohio) | Hudson Terrace Addition (Toledo, Ohio) | 3382 Detroit Avenue (Toledo, Ohio
Johnston, Joseph E., 1875-1970 (SC 3382)
Finding aid only for Manuscripts Small Collection 3382. Letters of Joe E. Johnston, Pleasureville, Kentucky, to Mary Ellen Richards, Franklin, Kentucky. He discusses his activities, his book Life Begins at Eighty, and his father, Captain I. N. Johnston, an escapee from Virginia’s Libby Prison during the Civil War. Includes clippings about Johnston and his father
Begonnen mit Zugangs-Nr. 3382 am 7.11.56 : Abgeschlossen mit Zugangs-Nr. 4183 am 4.4.60
BEGONNEN MIT ZUGANGS-NR. 3382 AM 7.11.56 : ABGESCHLOSSEN MIT ZUGANGS-NR. 4183 AM 4.4.60
Zugangs- und Abgangsverzeichnis der Abteilung V (-)
Begonnen mit Zugangs-Nr. 3382 am 7.11.56 : Abgeschlossen mit Zugangs-Nr. 4183 am 4.4.60 (T. V) ( - )
Cover ( - )
V 3382 bis V 3399 (2)
V 3400 bis V 3499 (3)
V 3500 bis V 3599 (11)
V 3600 bis V 3699 (24)
V 3700 bis V 3799 (37)
V 3800 bis V 3899 (50)
V 3900 bis V 3999 (60)
V 4000 bis V 4099 (67)
V 4100 bis V 4183 (73
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
IO Islamic 3382. Mukâtabât-i-'allâmî, Official Letters and refined prose-writings of Abû- alfaḍl
IO Islamic 3382. Mukâtabât-i-‘allâmî, Official Letters and refined prose-writings of Abû- alfaḍl</p
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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