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Área San Luis (Hoja 3366-I San Francisco del Monte de Oro ; Hoja 3366-II Santa Rosa ; Hoja 3366-III San Luis ; Hoja 3366-IV Río Quinto)
No full textFil: Servicio Geológico Minero Argentino. Instituto de Geología y Recursos Minerales; Argentina.La presente carta geofísica contiene los siguientes mapas: - modelo de elevación digital [DTM] - mapa de intensidad del campo magnético [TMI] - mapa de intensidad del campo magnético reducido al polo [RTP] - mapa de cuentas totales de radiación gamma [TC] - mapa de concentración aparente en superficie de uranio equivalente [URA]El Bloque Área San Luis cubre, en algunos casos de manera parcial, las siguientes hojas:
Hoja 3366-I San Francisco del Monte de Oro ; Hoja 3366-II Santa Rosa ; Hoja 3366-III San Luis ; Hoja 3366-IV Río Quint
Crabb, Alfred Leland, 1884-1979 (SC 3366)
Get PDFFinding aid only for Manuscripts Small Collection 3366. Correspondence, consisting mainly of publication announcements for books by Alfred Leland Crabb, a faculty member at WKU and George Peabody College and an author of essays and historical fiction. Includes miscellaneous writing of Crabb’s as well as reviews, clippings and obituaries
Astronomische nachrichten, nos 3366-3374
No full textRadau Rodolphe. Astronomische nachrichten, nos 3366-3374. In: Bulletin astronomique, tome 13, 1896. pp. 454-459
Astronomische Nachrichten, nos 3351-3366
No full textR. Astronomische Nachrichten, nos 3351-3366. In: Bulletin astronomique, tome 13, 1896. pp. 407-415
Block Card 3366 Cherry Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: multi-family | Georgian Revival | Dwelling | two story | North Toledo (Toledo, Ohio) | Lagrange-Central Area (Toledo, Ohio) | Richardson Place (Toledo, Ohio) | 3366 Cherry Street (Toledo, Ohio
Block Card 3366 Blairmont Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 3366 Blairmont Avenue (Toledo, Ohio) | Dwelling | Heather Downs Second Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 3366 Airport Highway
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Sinclair Oil Company - Ohio - Toledo | service stations | 3366 Airport Highway (Toledo, Ohio) | commercial buildings | Weston Gardens (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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