1,724,343 research outputs found
Block Card 3352 Winston Boulevard
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 3352 Winston Boulevard (Toledo, Ohio) | Dwelling | Heather Downs Second Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 3352 Mulberry Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | Hipped roof | Ranch Style Houses | John L. Gornys Stickney Avenue Addition (Toledo, Ohio) | North Toledo (Toledo, Ohio) | Stickney-Buckeye Area (Toledo, Ohio) | Buckeye Basin (Toledo, Ohio) | 3352 Mulberry Street (Toledo, Ohio
Block Card 3352 Bishop Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Folk House Style | 3352 Bishop Street (Toledo, Ohio) | Dwelling | Clifton Park Addition | Auburndale Area (Toledo, Ohio
Block Card 3352 Otto Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cape Cod Style | Dwelling | 3352 Otto Street (Toledo, Ohio) | Stickney-Buckeye Area (Toledo, Ohio) | North Toledo (Toledo, Ohio) | John L. Gornys Stickney Avenue Addition (Toledo, Ohio
Block Card 3352 Hughes Boulevard
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: attached garage | Ranch Style | 3352 Hughes Boulevard (Toledo, Ohio) | Dwelling | Dorrland Park Addition (Toledo, Ohio) | University Hills area (Toledo, Ohio
Block Card 3352 Forest Grove Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3352 Forest Grove Drive (Toledo, Ohio) | Ranch houses | Fullers Forest Grove | Franklin Park Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Obenchain, Lida (Calvert), 1856-1935 (SC 3352)
Full text linkFinding aid only for Manuscripts Small Collection 3352. Handwritten narrative of Lida (Calvert) Obenchain (pen name Eliza Calvert Hall) about the writing and publication of her short story “Sally Ann’s Experience” and her books Aunt Jane of Kentucky, The Land of Long Ago, To Love and to Cherish, Clover and Blue Grass, and A Book of Hand-Woven Coverlets. Also includes a typescript of her poem “Macmonnies’ Bacchante” and a hand-bound volume of other typescripted poems written by her
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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