1,805,898 research outputs found
Superfast spreading rate crust 3: a complete in situ section of upper oceanic crust formed at a superfast spreading rate. IODP Prel. Rept., 312
No full textIODP Prel. Rept., 31
Close-up images of ODP/IODP Hole U1256D from Expedition 312
No full textSee further details for a thumbnail overview catalog
Participant 312 Community Conversations Poem
No full textIn this poetry submission, titled "How COVID Has Affected Me," Participant 312 shares feelings of stress experienced during the pandemic. They look forward to future days when the pandemic will be over.New Jersey Department of Healt
Les cahiers de la Galerie B-312 : Édition 1997 - 1998
No full textThis document gcontains six leaflets that were published separately to accompany exhibitions held in 1997-1998 at Galerie B-312. Each leaflet includes a text on the exhibited work and brief biographical notes on the artist; some also contain an artist’s project printed on translucent paper. Most texts in French only
LIPIcs, Volume 312, WABI 2024, Complete Volume
No full textLIPIcs, Volume 312, WABI 2024, Complete Volum
Resolución UNRN Nº 312/2009. Designar docente interina.
No full textFil: Universidad Nacional de Río Negro (U). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución UNRN Nº 312/2009. Designar docente interina.fals
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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