1,726,402 research outputs found
Block Card 3071 119th Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 3071 119th Street (Toledo, Ohio) | Georgian Revival Style (Toledo, Ohio) | Oakview Beach (Toledo, Ohio) | Point Place (Toledo, Ohio) | North Toledo (Toledo, Ohio) | 3071 119th Street (Toledo, Ohio
Descriptive statistics of 3071 residents from Brazil, 2020.
No full textDescriptive statistics of 3071 residents from Brazil, 2020.</p
Boucher Family Papers (SC 3071)
Get PDFFinding aid and typescript (Click on Additional Files below) for Manuscripts Small Collection 3071. Miscellaneous papers and photographs of the Boucher family of Allen County, Kentucky. Includes promissory notes, tax and other receipts, deeds, Civil War military passes and slave indentures
Block Card 3071 March Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 3071 March Drive (Toledo, Ohio) | Dwelling | Fullers Springtime Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 3071 Glencairn Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cape Cod Style | 3071 Glencairn Avenue (Toledo, Ohio) | Dwelling | Heather Downs Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Linked collectors and determiners for: Taxonomic notes on Palearctic Podalonia Fernald, 1927 (Hymenoptera, Sphecidae), with descriptions of four new species.
No full textNatural history specimen data linked to collectors and determiners held within, "Taxonomic notes on Palearctic Podalonia Fernald, 1927 (Hymenoptera, Sphecidae), with descriptions of four new species". Claims or attributions were made on Bionomia by volunteer Scribes, <a href="http://bionomia.net/dataset/f395431d-3071-48fa-8d94-b4366103476d">https://bionomia.net/dataset/f395431d-3071-48fa-8d94-b4366103476d</a> using specimen data from the dataset aggregated by the Global Biodiversity Information Facility, <a href="https://gbif.org/dataset/f395431d-3071-48fa-8d94-b4366103476d">https://gbif.org/dataset/f395431d-3071-48fa-8d94-b4366103476d</a>. Formatted as a Frictionless Data package
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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