1,725,402 research outputs found
Riflessioni sull'art. 2953 c.c. Intorno a un saggio in materia di diritto civile
Traendo spunto dalle riflessioni svolte da Bonanno all’interno di un saggio sugli effetti della cosa giudicata sostanziale sulle prescrizioni brevi, l’A. esamina la logica sottesa all’art. 2953 c.c. nel pensiero dei processualisti e in quello dei civilisti.Drawing inspiration from Bonanno’s essay on the effects of res iudicata on short limitation period, the Author examines ratio of art. 2953 of the Italian Civil Code
Howell Family (SC 2953)
Finding aid and scan (Click on Additional Files below) for Manuscripts Small Collection 2953. Farm ledger belonging to the Howell family of Warren County, Kentucky. Includes a letter, 26 April 1925, drafted in Alvaton, Kentucky, to Clarence Howell and family
[IO Islamic 2953] Khazâna-i-'âmirah
Khazâna-i-’âmirah.
This manuscript is now IO Islamic 688 in the India Office collections.
[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 2953 here with notations and hyperlinks].
688
The same.
No date. Complete index, on ff. 1b-6b. Beginning of the tadhkirah on fol. 7b.
No. 2953, ff. 404, ll. 15; Nasta’lîḳ, by different hands; size, 111/4 in. by 7 in
Block Card 2953 Dorian Drive
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 2953 Dorian Drive (Toledo, Ohio) | Dwelling | Southern Woods (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 2953 Kenwood Boulevard
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: English Cottage Style | 2953 Kenwood Boulevard (Toledo, Ohio) | Dwelling | Old Orchard Addition (Toledo, Ohio) | Old Orchard Area (Toledo, Ohio
The reconstruction of the road III/2953, Dolní Branná - Kunčice
Projekt řeší rekonstrukci silnice III/2953 v úseku obcí Dolní Branná a Kunčice nad Labem. Součástí rekonstrukce vozovky je návrh nového odvodnění vozovky a novostavby chodníku podél silnice, vedoucí ke zvýšení bezpečnosti chodců v tomto úseku.This project solves the reconstruction of road III/2953 in part of municipalities Dolní Branná and Kunčice nad Labem. Part of reconstruction of pavement is design of new drainage of pavement and new-buiding of footpath along the road leading to enhanced security of walkers in this sector.Katedra dopravní infrastrukturyDokončená práce s úspěšnou obhajobo
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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