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Canyon Echoes
No full textMSS B 540 Civilian Conservation Corps Newsletters, 1935-1941Newsleters of Company 2937, February-March 193
Block Card 2937 Elm Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Gable front houses | Folk House Style | dwelling | 2937 Elm Street (Toledo, Ohio) | Cottage Grove Addition (Toledo, Ohio) | North Toledo (Toledo, Ohio
Block Card 2937 Wicklow Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 2937 Wicklow Drive (Toledo, Ohio) | attached garage | Dwelling | Old Orchard Addition, Fifth Extension (Toledo, Ohio) | Westgate Area (Toledo, Ohio
Block Card 2937 Jermain Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Colonial Revival Style | 2937 Jermain Drive (Toledo, Ohio) | Dwelling | Kingston Addition | Auburndale Area (Toledo, Ohio
Block Card 2937 Ketner Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 2937 Ketner Avenue (Toledo, Ohio) | Gable front houses | McLains Jackman Place Plat 1 | Greenwood Area (Toledo, Ohio) | West Toledo (Toledo, Ohio) | Washington Township | Ranch house
Block Card 2937 115th Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 2937 115th Street (Toledo, Ohio) | Colonial Revival Style | Koella Place (Toledo, Ohio) | Point Place (Toledo, Ohio) | North Toledo Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
IO Islamic 2937. Iḳbâlnâma-i-Jahângîrî, History of Sulṭân Akbar and Sulṭân Jahângîr
No full textIO Islamic 2937. Iḳbâlnâma-i-Jahângîrî, History of Sulṭân Akbar and Sulṭân Jahângîr</p
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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