1,729,786 research outputs found
2598. Pacta naulorum (1246, 1268-1270)
No full text2598. Pacta naulorum (1246, 1268-1270). In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. pp. 130-131
IO Islamic 2598. A Short Historical Account of Seringapatan
No full textIO Islamic 2598. A Short Historical Account of Seringapata
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Downing, Joseph Dudley, 1925-2007 (SC 2598)
Get PDFFinding aid only for Manuscripts Small Collection 2598. Letters from artist Joseph Dudley Downing, France, to Elinor Green (later Hunter), who worked for the United States State Department in Bern, Switzerland. They discuss their shared interest in art and discuss upcoming visits. Also includes letters from Joseph’s brother, Dero Downing, to Green discussing the possibility of donating artwork to Western Kentucky University
FIGURE 25 in Revision of the genus Exochomoscirtes Pic (Coleoptera: Scirtidae: Scirtinae) 2598
No full textFIGURE 25. Exochomoscirtes tetrastigma (Champion), female genitalia.Published as part of <i>Ruta, Rafał & Yoshitomi, Hiroyuki, 2010, Revision of the genus Exochomoscirtes Pic (Coleoptera: Scirtidae: Scirtinae) 2598, pp. 1-80 in Zootaxa 2598 (1)</i> on page 33, DOI: 10.11646/zootaxa.2598.1.1, <a href="http://zenodo.org/record/10095059">http://zenodo.org/record/10095059</a>
FIGURE 28 in Revision of the genus Exochomoscirtes Pic (Coleoptera: Scirtidae: Scirtinae) 2598
No full textFIGURE 28. Exochomoscirtes ceylonicus sp. nov., female genitalia.Published as part of <i>Ruta, Rafał & Yoshitomi, Hiroyuki, 2010, Revision of the genus Exochomoscirtes Pic (Coleoptera: Scirtidae: Scirtinae) 2598, pp. 1-80 in Zootaxa 2598 (1)</i> on page 37, DOI: 10.11646/zootaxa.2598.1.1, <a href="http://zenodo.org/record/10095059">http://zenodo.org/record/10095059</a>
FIGURE 39 in Revision of the genus Exochomoscirtes Pic (Coleoptera: Scirtidae: Scirtinae) 2598
No full textFIGURE 39. Exochomoscirtes quadripartitus sp. nov., prehensor and bursal sclerite.Published as part of <i>Ruta, Rafał & Yoshitomi, Hiroyuki, 2010, Revision of the genus Exochomoscirtes Pic (Coleoptera: Scirtidae: Scirtinae) 2598, pp. 1-80 in Zootaxa 2598 (1)</i> on page 49, DOI: 10.11646/zootaxa.2598.1.1, <a href="http://zenodo.org/record/10095059">http://zenodo.org/record/10095059</a>
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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