1,735,155 research outputs found
Discovery of a new extragalactic circular radio source with ASKAP: ORC J0102-2450
No full textWe present the discovery of another odd radio circle (ORC) with the Australian Square Kilometre Array Pathfinder (ASKAP) at 944 MHz. The observed radio ring, ORC J0102-2450, has a diameter of ∼70 arcsec or 300 kpc, if associated with the central elliptical galaxy DES J010224.33-245039.5 ( ∼ 0.27). Considering the overall radio morphology (circular ring and core) and lack of ring emission at non-radio wavelengths, we investigate if ORC J0102–2450 could be the relic lobe of a giant radio galaxy seen end on or the result of a giant blast wave. We also explore possible interaction scenarios, for example, with the companion galaxy, DES J010226.15-245104.9, located in or projected on to the south-eastern part of the ring. We encourage the search for further ORCs in radio surveys to study their properties and origin
عدد المتقدمين للالتحاق بالجامعة (2450) طالباً وطالبة
No full textإعلان جامعة قطر نتائج القبول بالنسبة للطلاب والطالبات المتقدمين للالتحاق في البرنامجين الصباحي والموازي للعام الأكاديمي خريف 2007 -2008 والذين كان عددهم (2450) طالباً وطالب
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Block Card 2450 Goddard Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: English Cottage Style | 2450 Goddard Road (Toledo, Ohio) | Dwelling | Barton Place Addition (Toledo, Ohio) | Old Orchard Area (Toledo, Ohio
Block Card 2450 Brookridge Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch Style | 2450 Brookridge Drive (Toledo, Ohio) | Dwelling | Douglas Meadows Addition (Toledo, Ohio) | Greenwood Park area (Toledo, Ohio
Block Card 2450 Nebraska Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Side gabled | 2450 Nebraska Avenue (Toledo, Ohio) | Dwelling | Scott Park Area (Toledo, Ohio) | Folk House Styl
Block Card 2450 Evans Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Cleveland double | 2450 Evans Street (Toledo, Ohio) | duplex | Amended Plat to Auburndale Addition (Toledo, Ohio) | Auburndale Area (Toledo, Ohio
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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