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    UMNH:Mamm:2429

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    UMNH:Mamm:2429 Voucher specimen study ski

    Art. 2429 c.c.

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    Commento art. 2429 c.c., Relazione dei sindaci e deposito del bilancio

    Maddox, Larry (SC 2429)

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    Finding aid only for Manuscripts Small Collection 2429. A typed manuscript titled Walton\u27s Creek Baptist Church which is a history of that Ohio County, Kentucky church. Includes footnotes and references

    Block Card 2429 Evans Street

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Side gabled | 2429 Evans Street (Toledo, Ohio) | Dwelling | Kellys Addition to Auburndale | Auburndale Area (Toledo, Ohio) | Bungalow Styl

    Block Card 2429 Trenton Avenue

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Curved bay | 2429 Trenton Avenue (Toledo, Ohio) | Dwelling | Clifton Park Addition | Auburndale Area (Toledo, Ohio) | Folk House Styl

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Block Card 2429 Green Valley Drive

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    This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 2429 Green Valley Drive (Toledo, Ohio) | Dwelling | South Toledo Area (Toledo, Ohio

    Entwicklung und Typologie des Datendiensts Unpaywall

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    Analysen im Bereich des Open-Access-Publizierens haben sich mit der Verfügbarkeit großer vernetzter Datensammlungen wie Unpaywall bedeutend vereinfacht. Der Artikel untersucht die Entwicklung des Datenbestands und der -struktur seit 2018. Eine Vollerhebung der Zeitschriftenartikel des Zeitraums 2008–2018 zeigt, dass der OA-Anteil kontinuierlich wächst. Allerdings variiert die OA-Kategorisierung, was methodische Fragen beim Publikationsmonitoring und in der bibliometrischen Forschung aufwirft.Analyses in the field of open access publishing have become significantly easier with the availability of large connected data collections such as Unpaywall. The article examines the development of the database and its structure since 2018. A full survey of journal articles from the period 2008–2018 shows that the OA share is growing continuously. However, the OA categorisation varies, which raises methodological questions in publication monitoring and bibliometric research

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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