1,735,515 research outputs found
2406 Franklin Avenue, Toledo, Ohio, August 1970
No full textA photo from the National Register of Historic Places of the building at 2406 Franklin Avenue in Toledo, Ohio. It shows the Franklin Avenue front, from the west. Terms associated with the photograph are: 2406 Franklin Avenue (Toledo, Ohio) | Delta Flats Area (Toledo, Ohio) | Apartment houses | Romanesque Reviva
Development of instruments and techniques for pulp evaluation. Some effects of fiber length and clamping conditions in the zero-span test. Project 2406, report three : a progress report to members of Group Project 2406.
No full text"December 20, 1965.""The Institute of Paper Chemistry ... Roger H. Van Eperen.
Block Card 2406 Lawton Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Gable front houses | 2406 Lawton Avenue (Toledo, Ohio) | Dwelling | Linden Heights Addition (Toledo, Ohio) | Auburndale Area (Toledo, Ohio) | Folk House Styl
Block Card 2406 Middlesex Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Garrison Colonial Style | 2406 Middlesex Drive (Toledo, Ohio) | Dwelling | Old Orchard Addition (Toledo, Ohio) | Old Orchard Area (Toledo, Ohio
Block Card 2406 Pemberton Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: English Cottage Style | 2406 Pemberton Drive (Toledo, Ohio) | Dwelling | Old Orchard Addition (Toledo, Ohio) | Old Orchard Area (Toledo, Ohio
Block Card 2406 Hiddenbrook Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch Style | 2406 Hiddenbrook Drive (Toledo, Ohio) | Dwelling | Douglas Meadows Addition (Toledo, Ohio) | Greenwood Park area (Toledo, Ohio
House Located at 2406 14th Street, Ybor City
No full textA house located at 2406 14th Street in Ybor City.https://digitalcommons.usf.edu/pizzo_images/1099/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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