1,732,295 research outputs found
Huddleston, William C., b. 1933 (SC 2385)
No full textFinding aid only for Manuscripts Small Collection 2385. James Madison Pendleton: A Critical Biography, by Wiliam C. Huddleston, a thesis submitted in partial fulfillment of the requirements for the Master of Theology degree, Southern Baptist Theological Seminary, Louisville, Kentucky, 1962. Includes a biographical sketch of the author
Spokane International, 470 S.K. No. 2385
No full textFrom negative sleeve: [handwritten] Spokane & Int. H ET 2385 470 Spokane & Int (illegible
2385. Jacobi de Vitriaco epistolae (1216-1221)
No full text2385. Jacobi de Vitriaco epistolae (1216-1221). In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. pp. 50-51
Art. 2385 - Cessazione degli amministratori
No full textCommento all'art. 2385 del Codice Civile:
1. La rinuncia e la scadenza del termine nel quadro delle ipotesi di cessazione dall’ufficio gestorio. - 1.1. Il problema delle dimissioni in bianco.
2. La rinuncia e la scadenza del termine: efficacia e adempimenti pubblicitari. - 2.1. La cessazione degli amministratori in conseguenza della variazione del sistema di governance e dell’annullamento (o sospensione cautelare) di delibere di rinnovo del consiglio di amministrazione
IO Islamic 2385. Majma'-alansâb an abridgment of general history
No full textIO Islamic 2385. Majma’-alansâb an abridgment of general history</p
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Screening of non-structural and structural proteins of PRRSV VR-2385 in inducing pSTAT1-S727 elevation.
No full text<p><b>A.</b> Screening of VR-2385 non-structural proteins (nsps) 1–12. HEK293 cells were transfected with STAT1-GFP and VR-2385 nsp plasmids. The cells were harvested 48 h after transfection for Western blotting with antibodies against pSTAT1-S727, STAT1 and tubulin. Relative levels of pSTAT1 in comparison with control vector lane are shown as folds below the images. <b>B.</b> Screening of VR-2385 structural proteins (sps) encoded by ORFs 2–7. HEK293 cells were transfected with STAT1-GFP and VR-2385 sp plasmids. Blotting and analysis were conducted similarly as in “A”. <b>C</b>. Expression of endogenous STAT1 remains stable in HEK293 cells transfected with PRRSV nsps. The cells were transfected with empty vector, GFP, nsp1α, nsp5, nsp8 or nsp11 plasmids. Western blotting with antibodies against STAT1 and tubulin was conducted.</p
Fertigung und Erprobung von wartungsarmen Windenergiekompaktanlagen von 80 kW unter industriellen Bedingungen Schlussbericht
No full textAvailable from TIB Hannover: RN 5905(2385) / FIZ - Fachinformationszzentrum Karlsruhe / TIB - Technische InformationsbibliothekSIGLEDEGerman
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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