1,732,533 research outputs found
LSC 2377
Get PDFAudio recording of LSC 2377 presented by Landon Brady Saunders. The date of creation is estimated
Art. 2377
No full textApprofondita, analitica e originale disamina della disciplina dell'annullabilità delle delibere assembleari di s.p.a., come emergente dall'art. 2377 c.c., nella versione novellata dal d. lgs. 6/2003.
I limiti della fattispecie; la legittimazione all'impugnativa; tutela reale e tutela obbligatoria
Art. 2377
No full textApprofondita ed analitica disamina del testo dell'art. 2377 c.c. alla luce della riforma societaria di cui al d. lgs. 6/2003.
Al riguardo, l'A. offre un'originale ricostruzione del sistema dell'invalidità delle delibere assembleari ponendola a confronto con le categorie dell'inesistenza e dell'inefficacia e trattando, in particolare, delle norme relative al procedimento di impugnazione, della sorte dei diritti acquistati dai terzi in esecuzione della delibera invalida e, infine, della sostituzione e della revoca degli atti assembleari
Art. 2377
No full textApprofondita ed analitica disamina del testo dell'art. 2377 c.c., alla luce della dottrina e della giurisprudenza che, in epoca successiva alla riforma di cui al d. lgs. 6/2003 (e, in particolare, alla prima edizione dell'opera), hanno contribuito allo studio dell'annullabilità delle delibere assembleari. Al riguardo, l'A. offre un'originale e rimeditata ricostruzione del sistema dell'invalidità (ponendola a confronto con le categorie dell'inesistenza e dell'inefficacia), delle cause di annullabilità, delle norme relative al procedimento di impugnazione, della sorte dei diritti acquistati dai terzi in esecuzione della delibera invalida e, infine, della sostituzione e della revoca delle delibere assembleari di s.p.a
C.P. steam engine #2377 hauling passenger train, unknown location
No full textHandwritten on back: "Engine #2377, Putting air in pass car"
Mayfield, Edith Evalyn, 1896-1958 (SC 2377)
Get PDFFinding aid only for Manuscripts Small Collection 2377. “The History of Journalism in Bowling Green, Ky.,” a thesis submitted in partial fulfillment of the requirements for the Master of Arts degree, George Peabody College for Teachers, Nashville, Tennessee, 1926
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
