1,731,018 research outputs found
2291
No full text"2291" by ERGON-CULTURE is an interdisciplinary project by Bill Balaskas which attempts a poetic reading of the anniversary of the Asia Minor Catastrophe (1922). Its epicentre is a new neon installation presented at the garden of the Archaeological Museum of Thessaloniki, consisting of the phrases "THERE IS NO SEA WITHOUT A LAND" and "THERE IS NO LAND WITHOUT A SEA". The project proposes a more contemplative or – even – optimistic approach to historical trauma, and is accompanied by a bilingual publication, two workshops, a website, mentorship support for young creatives, and an international conference co-organised by Kingston University, London. The production is realised in the framework of the 2022 programme of the institution "All of Greece, One Culture" of the Hellenic Ministry of Culture and Sports
Clinical & serological results of schoolchildren screened (N = 2291).
No full textClinical & serological results of schoolchildren screened (N = 2291).</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Inward Correspondence Register Sheets No, 2291 - 4037, June29th to December 27th 1984
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/355402Inward Correspondence Register Sheets No. 2291 - 4037. June29th to December 27th 1984.90073
item: [2015.0033.01343] "Inward Correspondence Register Sheets No, 2291 - 4037, June29th to December 27th 1984
2291. Registrum domini Innocenta III super negotio Romani imperii
No full text2291. Registrum domini Innocenta III super negotio Romani imperii. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. p. 22
2291. Registrum domini Innocenta III super negotio Romani imperii
No full text2291. Registrum domini Innocenta III super negotio Romani imperii. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. p. 22
Mapping net blotch resistance in ‘Nomini’ and CIho 2291 barley
Get PDFNet blotch (Pyrenophora teres) is one of the most devastating diseases of barley (Hordeum vulgare L.) worldwide. Identification of diagnostic molecular markers associated with genes and quantitative trait loci (QTL) for net blotch resistance will facilitate pyramiding of independent genes. Linkage mapping was used to identify chromosomal locations of the independent, dominant genes conditioning net blotch resistance in the winter barley ‘Nomini’ (PI 566929) and spring barley CIho 2291. The F2 populations of 238 and 193 individuals, derived from crosses between the susceptible spring barley parent ‘Hector’ (CIho 15514) and the resistant parents Nomini and CIho 2291, respectively, were used to map the genes governing resistance in the resistant parents. The dominant gene governing resistance in Nomini, temporarily designated Rpt-Nomini, was mapped to a 9.2-cM region of barley chromosome 6H between the flanking microsatellite markers Bmag0344a (r2 = 0.7) and Bmag0103a (r2 = 0.9), which were 6.8 and 2.4 cM away from Rpt-Nomini, respectively. The dominant gene governing resistance in CIho 2291, temporarily designated Rpt-CIho2291, was mapped to a 34.3-cM interval on the distal region of barley chromosome 6H between the flanking microsatellite markers Bmag0173 (r2 = 0.65) and Bmag0500 (r2 = 0.26), which were 9.9 and 24.4 cM away from Rpt-CIho2291, respectively. Identification of the chromosomal location of Rpt-Nomini and Rpt-CIho2291 will facilitate efforts in pyramiding multiple genes for net blotch resistance.Steffenson, Brian; O'Boyle, P.D.; Brooks, W.S.; Barnett, M.D.; Berger, G.L.; Stromberg, E.L.; Saghai Maroof, M.A.; Liu, S.Y.; Griffey, C.A.. (2014). Mapping net blotch resistance in ‘Nomini’ and CIho 2291 barley. Retrieved from the University Digital Conservancy, 10.2135/cropsci2013.08.0514
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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