1,787,497 research outputs found
Santa Fe (ATSF) 2072
No full textA photograph print showing Santa Fe (ATSF) 2072, 0-6-0 (BLW), Topeka, KS
2072
No full textThis is the first of a pair of beautifully printed paperbound volumes I discovered among my books now in 2005. When and how did I get them? I can only guess. There is a $9 price tag on each from Kinokuniya with a San Jose telephone number. Were they perhaps a gift of Rafael Sakurai? As for the book itself, its dust-jacket has beautifully colored Ulm woodcuts of The Hawk and the Pigeons and of the man chopping down a tree (to get an axe-handle, I presume), with half of a beautiful peacock on the spine. Inside, the book moves from what we would call the back to the front with a succession of beautiful Ulm images, starting with FG on 11 and recurring every four to eight pages. The beginning T of C indicates that there are one-hundred-and-eighty-four fables on 221 pages. What a lovely pair of books!Language note: JapaneseLee Coope
Block Card 2072 Heatherwood Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Split-Level Style | Garrison Colonial Style | 2072 Heatherwood Drive (Toledo, Ohio) | Dwelling | Glen Arbor (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Nebula 2072
Get PDFNebula 2072 is a design study based upon the idea of futurity. It is conceived in the hope that the spectator may enjoy interesting shapes and floor patterns created by the bodies of the dancers. The music, Noise Study by James Tenny, and percussion using a bass drum and Chinese Tom Tom, black, white, and chrome colored costumes, and lighting which suggests spaciousness are aids in achieving an atmosphere of the future. The dancers enter in a processional which is used throughout the dance in achieving unity. Three dancers in section one introduce the first of several geometrical body shapes which are to appear in the dance. Pulsating lights in this section are used in balancing the stage and further projecting the idea of a future existence. A manipulation of the processional is used for material in the transitions
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Pounds, Dwight Ray, b. 1935 (SC 2072)
Get PDFFinding aid and scan (Click on Additional Files below) for Manuscripts Small Collection SC 2072. “The 1991 Fire[:] First Baptist Church, Bowling Green, Kentucky,” by Dwight R. Pounds. The writer reflects on his reaction to the fire and to other burned or damaged churches
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
[IO Islamic 2072] بهار دانش
No full textBahâr-i-dânish.
This manuscript is now IO Islamic 817 in the India Office collections.
[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 2072 here with notations and hyperlinks].
817
A very incomplete copy of the same.
Beginning as usual; the work itself opens on fol. 7b.
A lacuna after fol. 7b, corresponding to No. 3217 (808 in this Cat.), fol. 4b, l. 3 ab infra, to fol. 9a, l. 7. A second, much larger, lacuna after fol. 210b, corresponding to No. 3217, fol. 171a, l. 5, to fol. 212b, l. 8.
This copy is dated the 1st of Rabî’-alawwal, A.H. 1122 (A.D. 1710, April 30). Collated.
No. 2072, ff. 230, the main portion of the MS. in careful Nasta’lîḳ, ll. 17; ff. 1-6 by a more recent hand in careless Nasta’lîḳ, mixed with Shikasta, ll. 15; ff. 21-26 by a third hand in pure Shikasta, ll. 17-18 ; size, 91/4 in. by 53/8 in
- …
