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The works of William Hogarth, from the original plates restored by James Heath : with the addition of many subjects not before collected : To which are prefixed, a biographical essay on the genius and productions of Hogarth, and explanations of the subjects of the plates: (1822)
No full textAn 1822 edition of the much reprinted copper-plate engravings of William Hogarth (1697-1764). The plates depict satirical narratives with strong social and political statements about the London of his time. This edition was printed by Jas. Wade, Tavistock St., Covent Garden, London. Other contributors Blake, William (1697-1764), Nichols, John (1745-1826) and Heath, James (1757-1834
The Imperial Crisis, 1764-1776
No full textThe Imperial Crisis, 1764–1776 is an introductory essay in the online resource Colonial America by Adam Matthew Digital containing digitized manuscripts of Colonial Office Documents (CO 5) at the UK National Archive
Blenheim Park, Woodstock, 1764
No full textCréateurs: Capability Brown et Achille Duchêne.; Date du début des travaux de réalisation: 1764.; Sur la diapositive: Blenheim Palace. Capability Brown, 1764. View of the Lake.; Photographie: Peter Jacobs, 1997
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Blenheim Park, Woodstock, 1764
No full textCréateurs: Capability Brown et Achille Duchêne.; Date du début des travaux de réalisation: 1764.; Sur la diapositive: Blenheim Palace. Capability Brown, 1764. View of the lake from the Grand Bridge.; Photographie: Peter Jacobs, 1997
11.Bd. (1764) (17)
No full text11.BD. (1764)
Bibliothek der schönen Wissenschaften und der freyen Künste (-)
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Fortsetzung der Abhandlung von der Natur und Eigenschaft der Grundsätze der bürgerlichen Baukunst. (1)
Marmontel, J.F.: Poétique francoise. Tom.1. Paris: L'Esclapart 1763.: Rezension (13)
Winckelmann, J.J.: Geschichte der Kunst des Alterthums. T.1.2. Dresden 1764.: Rezension (41)
Karschin, A.L.: Auserlesene Gedichte. Berlin: Winter 1764.: Rezension (87)
Algarotti, F. Graf: Saggio sopra la pittura. Livorno 1763.: Rezension. Algarotti, F. Graf: Saggio sopra l'academia di Francia. Livorno 1763.: Rezension (94)
Ovidius Naso, Publius ; Lindner, J.G. [Übers.][Bearb.]: Lehrreicher Zeitvertreib in ovidianischen Verwandlungen. Leipzig: Breitkopf 1764.: Rezension (104)
Stuart, J.Revett, N.: The antiquities of Athens. Vol.1. London 1762.: Rezension (117)
Geßner, S. ; Huber, M. [Übers.]: Daphnis et le premier navigateur. Paris: Vincent 1764.: Rezension (123)
Sendschreiben an den Herausgeber der Bibl. welches einige Anmerkungen über die Nachricht des Hrn. Winkelmanns vom ägyptischen Papyrus, und den herkulanischen Handschriften aus Papyrus, in dem Sendschreiben von herkulanischen Althertümern vorgetragen, enthält. (130)
[ohne Titel] (147)
Schreiben aus Italien von dem Zustande der Künste, einigen neuen Büchern und Kupferstichen an den Herausgeber der Bibl. (157)
Bartolozzi, F.: Picturae Dominici Zampieri vulgo Domenichino quae exstant in sacello sacrae aedi Cryptoferratensi adiuncto. Rom 1762.: Rezension (168)
Hugfort, I.E.: Vita di Anton Domenico Gabiani pittor Fiorentino. Florenz 1762.: Rezension (170)
Fidanza, P. [Hrsg.]: Teste scelte di personaggi illustri in lettere e in armi cavate gia dall'antico, o dall'originale e dipinte nel Vaticano de Raffaello d'Urbino. Rom 1763.: Rezension (174)
Venuti, R.: Accurata e succinta descrizione topografica delle antichità di Roma. Tom.1-2. Rom 1763.: Rezension (176)
Vergilius Maro, Publius ; Ambrogi, A. [Übers.][Hrsg.]: Bucolica, Georgica et Aeneis. Tom.1. Rom 1763.: Rezension (178)
Nachrichten von englischen Kupferstichen. (179)
Tasso, T. ; Hoole, J. [Übers.]: Jerusalem delivered: an heroic poem. Vol.1.2. London: Dodsley 1764.: Rezension (186)
Geßner, S. ; Newcombe, T. [Übers.]: The death of Abel. A sacred poem. London: Davis a. Reymers 1764.: Rezension (188)
Warton, T.: Observations on the Fairy Oueen of Spenser. Vol.1.2. London: Dodsley 1764.: Rezension (189)
Churchill, C.: An epistle to William Hogarth. London: Coote 1764.: Rezension (190)
Langhorne, J.: The effusions of friendship and fancy in several letters to and from select friends. Vol.1.2. London: Becket a. de Hondt 1764.: Rezension (191)
Langhorne, J.: The letters that passed between Theodosius and Constantia. London: Becket a. de Hondt 1764.: Rezension (192)
Klopstock, F.G. ; Lloyd, R. [Übers.]: The death of Adam, a tragedy. London: Becket a. de Hondt 1763.: Rezension (192)
Cambridge, Universität [korpor. Verf.]: Gratulatio ... in pacem Augustissimi Principis Georgii III. London: Sandby 1763.: Rezension (194)
Langhorne, J.: The enlargement of the mind. London: Becket a. de Hondt 1763.: Rezension (196)
Klopstock, F.G. ; Collyer, J. [Übers.][Bearb.]: The Messiah. Vol.1.2. London: Dodsley 1763.: Rezension (196)
Addison, J.: Cato. Tragoedia. London: Kearsly o.J.: Rezension (199)
André, Y. ; Guyot, G.G. [Hrsg.]: Essai sur le beau. 2.éd. Vol.1.2. Paris: Ganeau 1764.: Rezension (201)
LeFranc de Pompignan, J.J. Marquis de: Poésies sacrées et philosophiques. 3.éd. Paris: Prault 1764.: Rezension (203)
Luchet, J.P.L. Marquis de: Les nymphes de la Seine. Poème. Paris 1764.: Rezension (205)
Cazotte, J.: Ollivier, poème. Vol.1.2. Paris: Panckoucke 1763.: Rezension (206)
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Abhandlung über das Recitativ. (mit Noten) (209)
Winckelmann, J.J.: Geschichte der Kunst des Alterthums. T.1.2. Dresden 1764.: Rezension (268)
Marmontel, J.F.: Poétique francoise. Tom.2. Paris: L'Esclapart 1763.: Rezension (289)
Willamov, J.G.: Dithyramben. Berlin: Birnstiel 1763.: Rezension (306)
Augsburg, Französische Akademie [korpor. Verfas.]: Gedoppelte Probe einer neuen Zeitung. Augsburg: Akad. Buchhdlg. 1764.: Rezension (313)
Orville, J.P. d' ; Burman, P. II. [Hrsg.]: Sicula, quibus Siciliae veteris rudera, additis antiquitatum tabulis, illustrantur. P.1.2. Amsterdam: Tielenburg 1764.: Rezension (318)
Nachricht von neuen englischen Kupferstichen. (323)
Demosthenes ; Leland, T. [Übers.][Bearb.]: The orations of Demosthenes, on occasions of public deliberation. Vol.2. London: Johnston 1763.: Rezension (325)
Churchill, C.: The ghost. Book 4. London: Flexney 1764.: Rezension (326)
[Anonym]: Some observations on Dr. Brown's dissertation on the rise, union etc. of poetry and music. London: Johnston 1764.: Rezension (329)
Ogilvie, J.: Providence. An allegorical poem. London: Burnet 1764.: Rezension (330)
Shenstone, W.: The works in verse and prose. Vol.1.2. London: Dodsley 1764.: Rezension (332)
Neapel, Accademia Ercolanense [Korpor. Verfa.]: Le pitture antiche d'Ercolano. Tom.3. Neapel: Regia Stamperia 1762.: Rezension (333)
Aubert, J.L.: Fables nouvelles, divisées en six livres. 3.éd. Paris: Duchesne 1764.: Rezension (336)
Voltaire: Macare et Thélême, allégorie. Paris: Duchesne 1764.: Rezension (337)
LaPorte, J. de: Ecole de littérature, tirée de nos meilleurs écrivains. Vol.1.2. Paris: Babuty 1763.: Rezension (338)
Poinsinet de Sivry, L.: Théâtre et oeuvres diverses. Paris: Panckoucke 1764.: Rezension (338)
Bernis, F.J. de Pierre de: Les quatre saisons ou les géorgiques francoises. Poème. Paris 1763.: Rezension (340)
[ohne Titel] (341)
Fortsetzung der Nachrichten von neuen Kupferstichen aufs Jahr 1763. (343)
Gravelot, H.F. Bourguignon: Almanach iconologique ou des arts, pour l'année 1764. Paris: Latré 1764.: Rezension (347)
[ohne Titel] (348)
Kupferstiche vom Jahre 1764. (354)
Ankündigung einer neuen Ausgabe der Fabeln des la Fountaine in Kupfer gestochen. (358)
Justi, J.H.G.v. [Übers.]: Schauplatz der Künste und Handwerke. Bd.1-3. Berlin 1762-64.: Rezension (359)
[ohne Titel] (362)
Fortsetzung der auf dem Louvre im vorigen Jahre ausgesetzten Gemählde. (366)
Sendschreiben an den Herausgeber der Bibl. einige Neuigkeiten aus Italien betreffend. (378)
Contucci, A. Contuccio de: Musei Kirkeriani in Romano Soc. Jesu collegio. Tom.1. Rom 1763.: Rezension (381)
Castiglione, B. Conte de: Poesie volgari e latine. Rom: Pagliarini 1762.: Rezension (382)
Erstes Register, welches die im eilften Bande der Bibliothek für die Liebhaber der schönen Wissenschaften beurtheilten und angekündigten Bücher und Kunstwerke enthält. (385)
Zweytes Register, der im eilften Bande der Bibliothek für die Liebhaber der schönen Wissenschaften enthaltenen Sachen. ( - )
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Blenheim Park, Woodstock, 1764
No full textCréateurs: Capability Brown et Achille Duchêne.; Date du début des travaux de réalisation: 1764.; Sur la diapositive: Blenheim Palace. Capability Brown, C 1764. View of the lake with Queen Elizabeth Island.; Photographie: Peter Jacobs, 1997.À l'extrême gauche, sur le lac: Queen's Island
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
IX A 1 - Alte Stadtrechnungen (1763 - 1764)
No full textIX A 1 - ALTE STADTRECHNUNGEN (1763 - 1764)
IX A 1 - Alte Stadtrechnungen (1763 - 1764) ( -
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